Dayton Daily News

Love shoes? ‘Walk This Way’ now open at the Taft

Exhibit at the Cincinnati museum goes beyond fancy footwear.

- Meredith Moss

It has been rated by Forbes as “a top exhibition to see nationwide in 2021.”

“Walk This Way,” a collection of beautiful and historic shoes, opens at the Taft Museum in Cincinnati this weekend and will be on display through June 6. This is the first time it’s being shown in the Midwest and you can see it both in person and through a virtual tour online.

Shoe designer Stuart Weitzman and his wife have loaned their personal collection of shoes to the New York Historical Society, which has organized a traveling exhibit that features one-third of the couple’s 300-shoe collection. Weitzman’s wife, businesswo­man and philanthro­pist Jane Gershon Weitzman, formed and added to the collection as a gift to her husband over their 50 years of marriage.

This show isn’t simply a collection of 100 elegant shoes, but also tells the story of shoe production and consumptio­n. Spanning nearly 200 years, the shoes you’ll see range from hand-embroidere­d silk boudoir shoes created for the 1867 Paris Exposition to leather spectator pumps signed by 27 members of the 1941 New York Yankees and owned by Joe DiMaggio’s

one-time girlfriend. There are wedding shoes, stilted bath clogs worn by Islamic women, and pointe shoes worn by dancer Heather Watts of the New York City Ballet.

You’ll also see the work of well-known designers — Christian Dior, Yves Saint Laurent, Salvatore Ferragamo, and Beth Levine, the “First Lady of Shoe Design” — as well as shoes by Stuart Weitzman himself. The Weitzmans will be featured at a Zoom event on March 4.

The oldest shoes in the exhibit are a pair of satin wedding slippers created in 1838. The most recent pair were designed by Weitzman for Broadway’s “Cinderella” in 2013.

“Shoes tell an almost infinite number of stories,” says Weitzman in the exhibition catalog. “Stories of conformity and independen­ce, culture and class, politics and performanc­e.”

Meet the Taft curator

Ann Glasscock, assistant curator at the Taft, was in the midst of arranging shoes for the exhibit when we spoke and walked through the exhibit via Facetime. She says shoes earn their place at an art museum

because shoes are works of art.

“So many of the shoes in this exhibit are so much more than practical shoes you wear on your feet,” she pointed out. “Although these shoes on dis

play were indeed worn, they are objects of desire and display made by highly skilled craftspeop­le.”

The emphasis in this exhibit is on women and the ways shoes reflected their labor activism, the fight for suffrage and the sexual revolution. “Several pairs of shoes and boots in the exhibit were worn in the late 19th century as women were fighting for the right to vote,” Glasscock explains. “It was a time when respectabl­e women were rarely seen in public without a male companion. These shoes are restrictin­g, tightly buttoned or laced — much like the lives of the women who wore these shoes and didn’t have a lot of freedom.”

In contrast, the shoes on display from the ’60s and ’70s reveal how much more freedom women had gained. “These shoes — like platform shoes — elevate women,” Glasscock says. “Unlike the Victorian era when, heaven forbid, you should see a woman’s ankle, there are seethrough shoes that bare all!”

Glasscock’s personal favorite is a pair of Victorian silk lace-up boots. “I love the Victorian period and these shoes are stunning!” she says. “They’re made from a luxurious brocade fabric and incorporat­e a floral design and metallic thread. They are absolutely wonderful.”

As the floor-length gowns of the late 1800s gradually gave way to the shorter skirts and slim silhouette­s of the Jazz Age, women’s feet became a new focal point. Dance halls flourished, and manufactur­ers produced intricatel­y beaded evening shoes with buttoned straps that kept shoes secure while women danced the tango or the Charleston.

You’ll view shoes from the fashion industry which partnered with Hollywood to create custom shoes for motion pictures and celebritie­s, inspiring consumers to purchase similar styles to emulate their film idols. One example is Salvatore Ferragamo’s 1950s heels with handmade needlepoin­t lace designed for Italian actress Sophia Loren. Another is a pair of translucen­t pink shoes that belonged to Ginger Rogers who partnered with Fred Astaire in 10 Depression­era romantic musicals.

The shoes on display were originally made in America or Europe and intended to be worn. The dawn of department stores at the turn of the century created a place of leisure for affluent women and employment opportunit­ies for working women, so retailers began to compete for customers with colorful advertisem­ents and celebrity endorsemen­ts. Stores like Saks Fifth Avenue offered glamorous shoes, like red velvet and gold T-strap pumps or peeptoe mules with clear Lucite heels.

Glasscock is hoping many will take advantage of the unique exhibit. " I think people are itching to get back out and the Taft is a safe place to go,” she says. “Looking at beautiful objects and art is something people need right now.”

Other attraction­s

Did you know that shoemaking was an important part of the Queen City’s history? The show explores the process of shoemaking, examining shoe production and the role of women in the footwear field — one of the first industries to embrace large-scale mechanizat­ion. By 1850, shoemaking was America’s second-largest industry after agricultur­e and by the end of the century, Cincinnati had become one of the largest manufactur­ing sites. In the early 1900s, when women made up less than 20 percent of the total industrial workforce, onethird of the workers in shoe factories were women. Women became active in trade unions.

On view are three shoe designs by finalists in the Stuart Weitzman Footwear Design competitio­n, submitted by New York metroarea high school students in the categories of socially conscious fashion or material innovation.

The show also includes several items from the New York Historical Society’s collection, such as a pair of pumps by Mabel Julianelli, considered “America’s No. 1 shoe designer for women” in 1940, and a pair of red high-heeled boots from the hit Broadway musical “Kinky Boots.”

The Museum Shop at the Taft is always filled with lovely gifts. In addition to the illustrate­d exhibit catalog, the shop is stocking shoe Christmas ornaments, Walk This Way mugs, shoe puzzles and adult coloring books, hats and scarves.

 ??  ??
 ?? CONTRIBUTE­D ?? Curator Ann Glasscock installs shoes for “Walk This Way,” the current exhibit at the Taft Museum of Art.
CONTRIBUTE­D Curator Ann Glasscock installs shoes for “Walk This Way,” the current exhibit at the Taft Museum of Art.
 ??  ?? Salvatore Ferragamo (1898–1960), designer, Madonna Sandals, about 1954–55, Florence, Italy, kid leather, Tavarnelle needlepoin­t lace, embroidery, and beads, Stuart Weitzman Collection, no. 57.
Salvatore Ferragamo (1898–1960), designer, Madonna Sandals, about 1954–55, Florence, Italy, kid leather, Tavarnelle needlepoin­t lace, embroidery, and beads, Stuart Weitzman Collection, no. 57.
 ?? PHOTOS BY GLENN CASTELLANO, NEW-YORK HISTORICAL SOCIETY ?? Boudoir Shoes, 1867, Paris, France, silk, embroidery, and metallic thread, Stuart Weitzman Collection, no. 101.
PHOTOS BY GLENN CASTELLANO, NEW-YORK HISTORICAL SOCIETY Boudoir Shoes, 1867, Paris, France, silk, embroidery, and metallic thread, Stuart Weitzman Collection, no. 101.
 ??  ?? Spectator Pumps Signed by the Yankees, about 1941, leather and suede, Stuart Weitzman Collection, no. 286.
Spectator Pumps Signed by the Yankees, about 1941, leather and suede, Stuart Weitzman Collection, no. 286.

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