El Dorado News-Times

'Ant-Man and the Wasp' buzzes to $76 million debut

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NEW YORK (AP) — Despite its heroes' diminutive size, "Ant-Man and the Wasp" opened with typical Marvel might at the box office, with an estimated $76 million in ticket sales.

According to studio estimates Sunday, the "Ant-Man" sequel easily surpassed the $57 million debut of the 2015 original in North America. The 20th film in the Marvel Cinematic Universe — and the 20th to debut no. 1 at the box office — "Ant-Man and the Wasp" comes on the heels of two mammoth Marvel successes this year: "Black Panther" and "Avengers: Infinity War."

While the first "Ant-Man," starring Paul Rudd, had a rocky road to release due to a late director change, the rollout of the sequel, directed by Peyton Reed, was smoother. Cathleen Taff, head of distributi­on for Disney, credited a marketing campaign that played up the film as a more modest, funny and light-hearted change-of-pace for Marvel following the grandiosit­y of "Infinity War."

"It came in at the high end of our range and definitely sized-up the sequel," said Taff.

"Ant-Man and the Wasp," with a reported production budget of about $160 million, may have performed well enough to firmly establish its place among Marvel's more mainline superheroe­s. Reviews were good (86 percent fresh on Rotten Tomatoes) and audiences gave it an A-minus CinemaScor­e. Ticket sales overseas added another $85 million.

Befitting the summer season, the weekend's top five films were all sequels. The weekend's other new wide release was Blumhouse Production­s' "First Purge," the fourth film in the low-budget horror franchise about an annual 12-hour period of lawlessnes­s. With July 4th falling on a Wednesday and thus depriving Hollywood of a holiday weekend, Universal opted to release "First Purge" on Wednesday, while "Ant-Man" waited for the customary Thursday night previews.

"First Purge" debuted with $32 million over the five-day frame, and $18.5 million for the weekend. Particular­ly following 2016's "The Purge: Election Year," the franchise has made satirical jabs at social commentary. "First Purge," a Staten Island-set prequel, focuses on the ritual's origins as a method of culling minorities.

"Blumhouse just continues to overdelive­r for us," said Jim Orr, distributi­on chief for Blumhouse's distributi­on partner, Universal. "The Purge franchise continuall­y comments on issues that are current in society, obviously through a kind of dark and distorted lens. Tying it to the July Fourth holiday made a lot of sense."

Some Los Angeles theaters overperfor­med, executives said, likely due to those seeking air conditioni­ng during the Southern California heat wave. But whether due to travel- or weather-related reasons, nationwide ticket sales were unexpected­ly soft on Saturday. The weekend was about 10 percent off the pace of the same weekend last year, when "Spider-Man: Homecoming" opened, according to comScore. But the summer box office overall, up 13.5 percent from last year, remains robust.

The films that trailed "Ant-Man" hit their own milestones. Disney's "Incredible­s 2" passed "Finding Dory" to become Pixar's top-grossing film domestical­ly, not accounting for inflation. It earned $29 million in its fourth weekend, bringing its domestic total to $504 million and its worldwide haul to $773 million.

With $28.6 million in its third weekend, Universal's "Jurassic World: Fallen Kingdom" crossed $1 billion worldwide. It's done especially well internatio­nally, which has made up 69 percent of the dinosaur sequel's global footprint.

As a clear alternativ­e to the multiplex offerings, the "Mister Rogers" documentar­y "Won't You Be My Neighbor" continued to perform as an art-house sensation. Ranking ninth for the weekend (in between "Tag" and "Deadpool 2"), the Focus Features release earned $2.6 million in 893 theaters over the weekend. With $12.4 million in five weeks, it's the year's top documentar­y at the box office, edging out the Ruth Bader Ginsburg doc "RBG."

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