El Dorado News-Times

Italy livid about deal to loan Leonardo works to Louvre

-

ROME (AP) — So versatile were Leonardo da Vinci's talents in art and science and so boundless his visionary imaginatio­n, he is known to the world as the universal genius.

But not to Italy's nationalis­t tilting government, which is livid about plans by the Louvre museum in Paris for a blockbuste­r exhibit next year with as many as possible Leonardo masterpiec­es loaned from Italian museums to mark the 500th anniversar­y of the Renaissanc­e artist's death.

"It's unfair, a mistaken deal," Italian Culture Ministry Undersecre­tary Lucia Borgonzoni said of a 2017 agreement between a previous government and the Louvre. "Leonardo is an Italian genius," she told The Associated Press this week.

Borgonzoni is a senator from the League, the "Italians-first" sovereignt­y championin­g party in the nearly sixmonth-old populist government.

She was elaboratin­g on comments earlier this month, in Italian daily Corriere della Sera, in which she said of Leonardo: "In France, all he did was die."

Leonardo was born in 1452 in the Tuscan town of Vinci, Italy, and died in Amboise, France, in 1519.

Borgonzoni criticized how as part of the 2017 arrangemen­t, Italy also pledged to program its own exhibits so they won't compete with the Louvre mega-show.

The Louvre declined to comment on Italy's objections, nor say which artworks it requested from Italy, noting it's nearly a year before the four-months-long exhibit opens on Oct. 24, 2019.

Exhibit curator, Vincent Delieuvin, part of the Louvre's staff, also serves on the Italian Culture Ministry's committee which evaluated proposals from museums worldwide for the celebratio­ns. He didn't reply to an emailed request for comment.

"While respecting the autonomy of museums, national interests can't be put in second place," Borgonzoni told Corriere. "The French can't have everything."

And it appears they won't get all they want.

The Uffizi Galleries in Florence is considerin­g loaning the Louvre several Leonardo drawings. But director Eike D. Schmidt said his museum is nixing the Louvre's request for its stellar trio of Leonardo paintings because "simply, these works are so extremely fragile. No museum in the world would ever lend them."

Last summer, when the three Leonardos were moved one flight up in the Uffizi so they would have a room all to themselves, the transfer required preparatio­ns "like it was an expedition to Mount Everest, or a space trip to the Moon," with restoratio­n experts on hand just in case anything got damaged, Schmidt said in a phone interview.

One of the three paintings, "Adoration of the Magi," only came back to the Uffizi last year, after five years of restoratio­n work in Florence.

In 2007, when "Annunciati­on," a painting on wood by a 20-year-old Leonardo depicting the Archangel Gabriel proffering a lily to the Virgin, was about to leave the Uffizi for a Tokyo exhibition, a senator from the conservati­ve Forza Italia (Let's Go Italy) party and several Florentine­s chained themselves to a museum gate in a vain attempt to thwart the precious masterpiec­e from being flown to Japan.

The Uffizi director at the time opposed that loan, but the thencultur­e minister decided that the painting's transfer as good for Italy.

For the 2019 celebratio­ns, the Uffizi will loan an early Leonardo work, "Landscape Drawing for Santa Maria Della Neve," to the Leonardian­o Museum in Vinci. Depicting the countrysid­e near Vinci, the drawing is displayed only for a few weeks every four years because of fears prolonged exposure to light will damage it.

 ?? Lorenzo Galass/AP ?? Art: Workers in the Uffizi Museum in Florence, Italy, put the 6.5-foot-long, 3-foot-tall (nearly two meters long by one meter tall) Leonardo da Vinci's "Annunciati­on" painting in three protective crates filled with shock-absorbers and high-tech sensors to monitor humidity, temperatur­es and stress levels in preparatio­n for departure Tuesday for a show at Japan's National Museum in Tokyo. Leonardo da Vinci is often hailed as the most universal genius. Not for Italy’s nationalis­t government, which is livid that the Louvre is counting on Italian museums to lend many of the native Italian native's masterpiec­es for a blockbuste­r exhibit in Paris.
Lorenzo Galass/AP Art: Workers in the Uffizi Museum in Florence, Italy, put the 6.5-foot-long, 3-foot-tall (nearly two meters long by one meter tall) Leonardo da Vinci's "Annunciati­on" painting in three protective crates filled with shock-absorbers and high-tech sensors to monitor humidity, temperatur­es and stress levels in preparatio­n for departure Tuesday for a show at Japan's National Museum in Tokyo. Leonardo da Vinci is often hailed as the most universal genius. Not for Italy’s nationalis­t government, which is livid that the Louvre is counting on Italian museums to lend many of the native Italian native's masterpiec­es for a blockbuste­r exhibit in Paris.

Newspapers in English

Newspapers from United States