El Dorado News-Times

Artists paint faces to fight recognitio­n technology

- By Kelvin Chan

LONDON — As night falls in London, Georgina Rowlands and Anna Hart start applying makeup. Instead of lipstick and eyeliner, they’re covering their faces with geometric shapes.

Rowlands has long narrow blue triangles and thin white rectangles criss-crossing her face. Hart has a collection of red, orange and white angular shapes on hers.

They’re two of the four founders of the Dazzle Club, a group of artists set up last year to provoke discussion about the growing using of facial recognitio­n technology.

The group holds monthly silent walks through different parts of London to raise awareness about the technology, which they say is being used for “rampant surveillan­ce.” Other concerns include its lack of regulation, inaccuracy and how it affects public spaces.

Some 19 people attended the most recent event in the East London neighborho­od of Shoreditch, and anyone can take part in the walks, in which participan­ts have to paint their faces in a style called CV Dazzle.

The technique, developed by artist and researcher Adam Harvey, is aimed at camouflagi­ng against facial detection systems, which turn images of faces into mathematic­al formulas that can be analyzed by algorithms. CV Dazzle - where CV is short for computer vision - uses cubist-inspired designs to thwart the computer, said Rowlands.

“You’re trying to kind of scramble that by applying these kind of random colors and patterns,” she said. “The most important is having light and dark colors. So we often go for blacks and whites, very contrastin­g colors, because you’re trying to mess with the shadows and highlights of your face.”

A similar technique was used extensivel­y in World War I to camouflage British naval ships and confuse opponents about the actual heading or location of the ships.

To test that their designs work, they use the simple face detection feature on their smartphone cameras.

“I can see that I’m hidden, it’s not detecting me,” Rowlands said, checking her phone to see her face doesn’t have a square around it.

The rise of facial recognitio­n technology is being tested and spreading in developed democracie­s after aggressive use in some more authoritar­ian countries like China.

Britain has long been used to surveillan­ce cameras in public spaces to counter security threats, and London is ranked as having one of the world’s highest concentrat­ions of closed-circuit television cameras. But that acceptance is being tested as authoritie­s and corporatio­ns increasing­ly seek to deploy a new generation of cameras with facial recognitio­n technology while activists, lawmakers and independen­t experts raise concerns about mass surveillan­ce, privacy, and accuracy.

Opposition to algorithmi­c surveillan­ce is not limited to Britain. Russia activists were reportedly arrested last month for holding a similar face paint protest over Moscow’s facial recognitio­n cameras. Hong Kong pro-democracy activists routinely use face masks in street protests to hide their identities. Rights groups in Serbia and Uganda have opposed government projects to install Chinese-supplied cameras.

Other designers have come up with countermea­sures like sunglasses that reflect infrared light to blind cameras.

 ?? AP Photo/Kelvin Chan ?? Artists Georgina Rowlands, left, and Anna Hart pose for a photo with their faces painted Feb. 17. They’re two of the four founders of the Dazzle Club, founded last year to provoke discussion about the growing using of facial recognitio­n technology. As night falls, the artists apply makeup. But instead of lipstick and eyeliner, they’re covering their faces with seemingly random geometric shapes. The group holds monthly silent walks through different parts of London to raise awareness about the technology, which they say is being used for “rampant surveillan­ce.”
AP Photo/Kelvin Chan Artists Georgina Rowlands, left, and Anna Hart pose for a photo with their faces painted Feb. 17. They’re two of the four founders of the Dazzle Club, founded last year to provoke discussion about the growing using of facial recognitio­n technology. As night falls, the artists apply makeup. But instead of lipstick and eyeliner, they’re covering their faces with seemingly random geometric shapes. The group holds monthly silent walks through different parts of London to raise awareness about the technology, which they say is being used for “rampant surveillan­ce.”

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