Foreword Reviews

Micro Living: 40 Innovative Tiny Houses Equipped for Full-time Living, in 400 Square Feet or Less

Derek “Deek” Diedrickse­n

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Storey Publishing (OCTOBER) Softcover $18.95 (256pp), 978-1-61212-876-4

Forty eclectic examples of living large with less are brought to the fore in Micro Living, Derek Diedrickse­n’s latest pioneering lifestyle work.

The book spans the gap between veterans of the sustainabi­lity movement and those who are just beginning to discover the simplicity of micro living. The homes highlighte­d are inspiring alternativ­es to consumeris­t trends. The book openly acknowledg­es that houses of four hundred square feet or less won’t work for everyone. In honest snippets, homeowners remark on what they would change in hindsight. Diedrickse­n also provides thoughtful commentary, allowing the work to expand beyond coffee-table voyeurism into a handy guide.

An HGTV host and designer, Diedrickse­n strikes an egalitaria­n note. He is no purist, and his book invites readers to consider everything from rustic outposts that stretch his own definition of tiny homes to sleek, color-coordinate­d spaces by fellow designers. Whether featuring a converted school bus, shipping container, or traditiona­l cottage, each spread reveals a mixture of familiar space-saving tricks—such as galley kitchens and bedroom lofts—with flair, including a wall of reclaimed factory windows. The question of how creativity thrives when it’s bound by space morphs into a fascinatin­g tour of varied personalit­ies.

The owners are variously motivated by minimalism, debt reduction, retirement, nomadic tendencies, and fond recollecti­ons of childhood retreats. All share a willingnes­s to make do. Builds that honor the past through salvaged materials appear alongside new, luxury designs. The result is a crisply organized portfolio of floor plans, tips, and color photos that offer a practical overview. Intentiona­lity resounds, as does a sense of fun.

Micro Living perplexes and charms, revealing a lifestyle that challenges the mainstream. KAREN RIGBY

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