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“3 Generation­s” Opening May 12 at Lefont Sandy Springs

Not faring so well is Watts, who flounders a bit here in an underwritt­en role. Maggie is much less interestin­g than the other characters. A subplot involving her ex and his brother is unnecessar­y and lifeless. Sadly, it often overshadow­s the story of Ray/Ramona. The story of Ray’s transition and the difficulti­es involved are glossed over for sudsy family drama.

Despite some sharp performanc­es, “3 Generation­s” is a lightweigh­t and mostly joyless experience. One character whines, “I’m not having a shitty day; I’m having a shitty existence.” There’s a reasonable hap- Above: Elle Fanning, Naomi Watts and Susan Sarandon, left to right, star in ‘3 Generation­s,’ opening May 12 at Lefont Sandy Springs. (Photo courtesy The Weinstein Company) py ending here, but it feels unearned and misplaced.

The film’s R rating – later changed to PG-13 – raised some eyebrows initially since there is nothing really warranting that rating. The film has also been meet with some criticism from the trans community for its casting of a cisgender actress in the role of a trans male character. That’s a valid point, but the film has some graver issues. “3 Generation­s” certainly means well, but isn’t deep enough or courageous enough to make much of an impression.

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