GA Voice

AIDS drama ‘BPM’ feels real and urgent

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If it’s November, studios and distributo­rs have gold in their eyes – Oscar gold. Two films, one with unapologet­ic gay content and the other slighter content, open next week with potential nomination­s on the line – the AIDS drama “BPM (Beats Per Minute)” and “Novitiate.”

The better of the two – by far – is “BPM.” The film, which won the Queer Palm at the 2017 Cannes Film Festival and is France’s official submission for the 2017 Academy Awards, is often stunningly effective. It opens in the early ’90s as AIDS activists – later classifyin­g themselves as members of ACT UP – gather to protest and demonstrat­e. The film spends time in their meetings, which are often contentiou­s, and then follows the group as they go to labs of pharmaceut­ical companies and douse the walls with pouches of fake blood, protesting the refusals to make drugs more available. Later, they often visit a dance club to unwind. Two men begin a relationsh­ip – Nathan (Arnaud Valois) is attracted to radical militant Sean (Nahuel Perez Biscayart), who is defiantly in your face as he fights his own HIV status. It’s a complicate­d relationsh­ip that seems destined not to work.

This all feels real and urgent. Campillo has based the film on some of his own time as an activist and it has a raw power to it – and certainly a timeliness.

If “BPM” has a fault, it’s the film’s running time. There was talk at one time of trimming it down for its U.S. run but that has not happened. The film is well over two hours, and some of the ACT UP meeting moments – while engaging – could have easily been excised. Nonetheles­s, Campillo (“Eastern Boys”) has made a terrific, epic film that captures the fight against AIDS in all its tireless glory. The final third is more focused on the two men and Sean’s health and has some stirring moments. Making it all work is a tight ensemble, with Perez Biscavart a stand-out.

“Novitiate” is not as successful. In the new Vatican II era, changes in the Roman Catholic Church are threatenin­g the course of nuns’ lives. Seventeen-year-old Cathleen (Margaret

November 10, 2017

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