Gotham

PART OF THE PROCESS

MORE AND MORE HOMEOWNERS ARE WORKING DIRECTLY WITH LOCAL ARCHITECTS TO COLLABORAT­E ON FULLY PERSONALIZ­ED HOMES.

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Building your own home, hand in hand with a small architectu­ral firm, changes the way you live. It’s not just about the small choices—the thoughtful considerat­ion of where your gaze will fall when folding laundry. It’s the very act of making those choices that leads you to invest in a house in a different way.

“A home isn’t just something you purchase,” says James Merrell, whose eponymous architectu­re firm is located in Sag Harbor (66 Main St., Sag Harbor, 631-725-9842; jamesmerre­llarchitec­ts.com). “When you’re talking about custom houses, it’s about something you’ve been dreaming about, imagining, realizing.”

Blaze Makoid, who has 12 architects and designers on staff at his Bridgehamp­ton office (7 Tradesmans Path, Bridgehamp­ton, 631-537-7277; blaze makoid-architectu­re.com), sees his clients’ investment of time and attention (as well as money) translatin­g into a sense of personal pride. “The house isn’t just a transactio­n, but something they helped create,” says Makoid. “They’ve been an integral voice in the project since the first sketches, seen con- struction through different stages, and experience­d the ups and downs of a complicate­d process.”

Makoid is currently working on a project in Jackson Hole, Wyoming, for San Francisco-based clients, but he is still able to keep in close contact with them. “We do a lot of Gotomeetin­gs, where we hold virtual meetings and both the clients and ourselves

can control the screen,” he explains. “Between email, text, and the phone, we’re in constant contact with our clients.”

Merrell knows when he’s working with clients who have artistic or creative experience, because the collaborat­ion ends up being all the more interactiv­e, feeding everyone involved. “Clients who have an artistic background are comfortabl­e having a dialogue about ideas,” he says. “They understand there’s a process. They inspire other ideas, because it’s something we’re sharing in an open conversati­on.” The most inspiring aspect of the process, Merrell finds, is when a client comes with a set of ideas, and his firm has a set of ideas, and in the process of collaborat­ing, new ideas are formed.

He compares building a home to going on an adventure: It’s not just about the final product— the photos and souvenirs—it’s about the journey itself. “No adventure is memorable if you don’t end up in a place you didn’t expect from the beginning,” Merrell muses. “Once you’re living in your house, you look around and see evidence of the adventure. The house itself dissolves in your mind, and you see this record of the creative process.”— e.j.w.

 ??  ?? In this North Haven project, Blaze Makoid Architectu­reds design was driven by the clientds desire for a retreat for themselves and their family and friends and for a home conducive to weekends that revolve around socializin­g.
In this North Haven project, Blaze Makoid Architectu­reds design was driven by the clientds desire for a retreat for themselves and their family and friends and for a home conducive to weekends that revolve around socializin­g.
 ??  ?? CLOCKWISE FROM TOƩ LEFT: $ promeft in East Hampton by Bla]e Manoid $rfhiteftur­e; the views through this Fountry villa by -ames Merrell reveal sunlight and landsfape; a modern aesthetif guided Merrellōs redesign oi this
9 0s property.
CLOCKWISE FROM TOƩ LEFT: $ promeft in East Hampton by Bla]e Manoid $rfhiteftur­e; the views through this Fountry villa by -ames Merrell reveal sunlight and landsfape; a modern aesthetif guided Merrellōs redesign oi this 9 0s property.
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