Gulf & Main

Colorful World of Pastels

Local artists promote time-honored art medium

- Ann Marie O’Phelan is a Southwest Florida resident and a regular contributo­r to TOTI Media.

In the 15th century, pastels were used mostly for studies for paintings and murals; by the 17th century, the art medium took on its own identity. Made of the same pigments found in oil paint, pastels offer vivid colors— without the long drying time, odors and cleanup of oils. According to the Southwest Florida Pastel Society (SWFPS), “Pastels are known for their superior quality of color and light achieved through the use of pure pigment with reflective qualities not found in other mediums.” Artists work without brushes; pastels are applied by hand to the painting surface, which is typically textured or sanded paper.

SWFPS is a nonprofit organizati­on comprised of pastel artists of all skill levels who live and work in the region. It was founded in January of 2003 during a resurgence of interest in the medium and currently has 95 active members. SWFPS “encourages and promotes members in their profession­al growth and success” through monthly meetings and programs, workshops, outings and exhibition opportunit­ies.

Meetings, usually held at Worthingto­n Country Club in Bonita Springs, take place monthly from October through May. They begin with a business meeting, followed by a program, and the opportunit­y to stay for a Dutch-treat lunch.

SWFPS offers an autumn and a winter workshop. “Workshops are taught by nationally known pastel artists and are open to society members for a reasonable fee,” explains Debra Meade, second vice president and publicity chair. (Non-members are welcome to join to attend.) During season, there are weekly plein air outings, and occasional trips to museums and lectures.

Three to four shows a year are hosted by SWFPS, giving members the opportunit­y to exhibit and sell their work. The largest is

the Annual Member Show, a juried exhibition that rotates among sites in Naples, Fort Myers and Marco Island on a three-year cycle.

Members can join volunteer committees that support functions such as hospitalit­y, book discussion, video/DVD library, fundraisin­g, and scholarshi­ps—to help young artists develop their talents. “Each year, the Sam Platt Scholarshi­p, named for the society’s first board president, is awarded to a deserving high school senior who plans to pursue a fine arts education. The scholarshi­p, establishe­d by SWFPS, is administer­ed by a local community foundation,” Meade says.

Meade picked up her first pastels at age 13 and painted through early adulthood. However, while raising her daughter and pursuing her journalism career—she became president and publisher of The Roanoke (Va.) Times— she found little time to pursue her beloved pastels. It was only upon retirement in 2013 that she decided to work in pastels again. That is when Meade moved to Naples and joined SWFPS.

“It felt wonderful after all those years to be back in the studio with my fellow pastel artists,” says Meade, who has also worked in oils and watercolor, but enjoys pastels the most. “I like the directness from hand to the paper. I love the vibrancy of the pastel colors, the slow building up of the layers to capture mood and light.”

SWFPS has sponsored and taught classes in Immokalee’s middle and high schools. The classes were taught by members Ginger Craven, Alice Fjelstul and Ruthe A. Sholler. Sholler is a past officer with SWFPS, former pastel teacher in Massachuse­tts and a current instructor who also teaches adults at the Center for the Arts—Bonita Springs (CFABS) and the United Arts Council of Collier County.

“Every time we taught in Immokalee, we donated pastels to the students,” notes Sholler, who says she loves working with pastels because the colors are intense—and they are forgiving. A 20-year pastel artist, she is a landscape, figurative and floral painter who loves reimaginin­g the natural world using pastels. “I love the beauty of the colors and how easily they could be handled outdoors,” says Sholler, who concentrat­es on plein air painting.

She also sometimes combines pastels with monotype prints when teaching classes at CFABS, where she has the students enhance their prints with pastels. “The results are always amazing,” says Sholler. Her own “pastels and monotype prints have won awards from Maine to Massachuse­tts to Florida. I’ve been fortunate to have my work juried into local, national and internatio­nal exhibition­s,” the artist adds.

“SWFPS always welcomes new members,” Meade says. To learn more about the organizati­on, visit its website at pastelsoci­ety.org. For informatio­n about joining, email membership chair Jerri Smith at jerri88vet@aol.com.

Artists work without brushes; pastels are applied by hand to the painting surface, which is typically textured or sanded paper.

 ??  ?? FreedomRei­gns by Tanya Trinkaus Glass
FreedomRei­gns by Tanya Trinkaus Glass
 ??  ?? PantherRef­ugeintheWe­tSeason by Tanya Trinkaus Glass
PantherRef­ugeintheWe­tSeason by Tanya Trinkaus Glass
 ??  ?? MugandLemo­n by Lynne Wilcox
MugandLemo­n by Lynne Wilcox
 ??  ?? MysteriesA­bound by Tanya Trinkaus Glass
MysteriesA­bound by Tanya Trinkaus Glass
 ??  ?? PoppiesinL­esBauxdePr­ovence by Tanya Trinkaus Glass
PoppiesinL­esBauxdePr­ovence by Tanya Trinkaus Glass
 ??  ?? OneEighty by Lynne Wilcox
OneEighty by Lynne Wilcox

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