Hamptons Magazine

TURNING POINT

Wendy Whelan talks about her most challengin­g role to date: being a star in the process of change.

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WENDY WHELAN TALKS ABOUT HER MOST CHALLENGIN­G ROLE TO DATE: BEING A STAR IN THE PROCESS OF CHANGE. BY AMANDA TAYLOR

On August 28, New York City Ballet’s legendary principal dancer Wendy Whelan will discuss the film Restless Creature at the Southampto­n Arts Center. The documentar­y shows the heartbreak­ing, raw, and ultimately liberating story of the beloved 50-year-old star as she confronts her body’s limitation­s and reinvents herself in a distinctly unforgivin­g profession.

Was it difficult to be so vulnerable? “I had no choice but to surrender. I had lost my physicalit­y as I’d come to know it over my lifetime, and it was terrifying to reveal that. However, it was a relief to be able to express myself with words. Relief was slowly surfacing during the 16 months of filming. Each month, I was in a new place of letting go. The film captured the peeling away of these layers.” Were you tempted to give up? “There was never a moment of ‘I can’t do this anymore.’” How did you persevere? “I got great pleasure from the experience of my own developmen­t. I became addicted to process. Learning and trying new things, and finding hidden or untapped talents within myself, is something I find super gratifying.” 25 Jobs Lane, 631-283-0967; southampto­nartscente­r.org

“I HAD LOST MY PHYSICALIT­Y AS I’D COME TO KNOW IT, AND IT WAS TERRIFYING TO REVEAL THAT.” — wendy whelan

 ??  ?? 96 When she’s not in front of a camera, supermodel Sofia Resing loves to surf the waves at Montauk’s Ditch Plains.
96 When she’s not in front of a camera, supermodel Sofia Resing loves to surf the waves at Montauk’s Ditch Plains.
 ??  ?? “Each month, I was in a new place of letting go,” says Wendy Whelan, whose then-impending retirement from New York City Ballet and transforma­tion as a dancer are captured in the documentar­y Restless Creature.
“Each month, I was in a new place of letting go,” says Wendy Whelan, whose then-impending retirement from New York City Ballet and transforma­tion as a dancer are captured in the documentar­y Restless Creature.

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