Hartford Courant (Sunday)

No availabili­ty of natural light? No problem

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“I’m all about using both fake and real plants. Sometimes a space has no natural light to grow plants. I mean, photosynth­esis, it’s real.”

When Eliza Blank, 34, started the Sill in 2012, she had no intention of selling artificial plants. That changed in 2019, when she began offering a line of faux pothos, monstera and pilea.

“What we came to find is that plants, in all forms, make people happy,” Blank said, parroting her company’s tagline.

Since March, she said, the Sill has seen a surge in online sales of real and faux plants, often purchased together.

“Everyone is feeling disconnect­ed from the outdoors,” Blank said. “People are looking to bring the outdoors in.”

Erin Gates, an interior designer who lives in Boston, mixes real and faux foliage, depending on the client’s comfort with plant care and the conditions of each space. She has killed some 15 fiddle leaf figs over the last decade, so she understand­s that for some, tending to real plants can be more stressful than therapeuti­c. Whether they’re real or fake, Gates, 40, said, “plants absolutely add some happiness to your home, especially during these dark days.”

Still, artificial plants have a mixed reputation among designers and dwellers. In the 1960s, when houseplant­s made from plastic and polyester began to proliferat­e in home decor, Grady Clay, the former editor of Landscape Architectu­re Magazine, told The New York Times: “Plastic plants are piddling pieces of cosmetics.” Today, plenty of people share his opinion.

“Plastic plants are repulsive,” said Phelicia Thompson, 46, a plant lover who has kept her rose-painted calathea alive for 27 years in her Northern California home.

“That plant has seen me through breakups and marriage and childbirth. I won’t get into the obvious benefits of owning a real carbon-converting organism over having petroleumb­ased products sitting in your home.

Like Thompson, Puneet Sabharwal, CEO and cofounder of plant subscripti­on service Horti, bristles when confronted with fakes. A blog post on his company’s website, titled “What’s So Bad About Artificial Plants,” reads: “Their presence feels like a taxidermie­d wild animal with glass eyes and empty lungs.”

Sabharwal, 38, said his company is seeing sales at an all-time high now that U.S. residents are largely confined to their homes.

“Indoor plants are quarantini­ng experts,” he said. “They have been cultivated to thrive inside, so we can learn a lot from them during this time.”

Maybe, but what about the legions of plant killers who have tossed one too many sad and shriveled philodendr­ons into the trash? What if the responsibi­lity of keeping real plants alive fills you with anxiety, even as you marvel at images of Joanna Gaines and Oprah Winfrey tending to their blooming gardens?

“When I see a celebrity’s lush landscapin­g on Instagram, more than anything I get inspired,” said Stephanie K. Smith, a television writer in Los Angeles.

After realizing how much money she was spending on plants she would inevitably kill, Smith, 43, decided to go faux. And she’s never looked back.

“I used to be mortified by the idea of using fake plants,” she said. Now she decorates her Spanish-style bungalow with a mixture of fake plant varieties from West Elm and Marshall’s.

On rainy days, she said, “My fake plants are about as close to nature as I get.”

Like any other interior design decision, plants are a personal choice. Carmen Rising, a 27-year-old branded content writer in Southern California, said she had put pressure on herself to become a “plant person,” like those she had seen in her Instagram feed, but her attempts at cultivatin­g greenery were futile.

“I finally surrendere­d to who I was all along,” she said. “Not a plant person.”

 ?? THE SILL ?? A real pilea from plant delivery service The Sill. Since March, the Sill has seen a surge in sales of real and fake plants.
THE SILL A real pilea from plant delivery service The Sill. Since March, the Sill has seen a surge in sales of real and fake plants.

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