Hartford Courant

A dozen wines for a transition­al season

- By Eric Asimov TONY CENICOLA/THE NEW YORK TIMES

It wasn’t much of a summer, I’m afraid.

The empty ballparks, the missing actors and musicians, the fraught travel, the social distancing — little was there to divert attention momentaril­y from the pitiless price of the COVID-19 pandemic and the destructio­n caused by climate change.

At least fresh summer fruits and vegetables were bountiful. But now that gift is nearing its end. If you’re like me, you’ve been eating tomatoes like crazy, and have maybe even considered preserving some for the winter.

As summer segues into autumn, the taste for wine begins a seasonal transition, too. It’s never as simple as white wines in the heat, reds in the cold. Though that formula at least has some logic to it.

Whites and rosés are often the best choices for fresh vegetable preparatio­ns and other seasonal dishes. As the weather cools and the oven is revved up once more, many of the roasts, stews and bean dishes will be better suited to reds. And, for wines of all colors, we’ll be looking for a little more body and weight.

Shopping online at New York City retail stores, I found a dozen wines that are great for this transition­al season. I picked more reds than whites, though most of the reds are still rather light-bodied.

For this roundup, I restricted myself to bottles costing $20 to $30.

These wines — one pétillant naturel, one rosé, two whites and eight reds, presented in no particular order — all have a few things in common: They are refreshing, delicious, light enough for end-ofsummer dining and substantia­l enough to take us into fall.

Montenidol­i; Vernac

cia di San Gimignano Fiore 2018; $26.99

Vernaccia di San Gimignano is one of those Italian whites that got a bad name in the old days of careless overproduc­tion. But when made conscienti­ously, the wines befit a storied history that goes back at least to the 13th century. This wine, made by Montenidol­i from organicall­y grown grapes, is crisp, with floral and citrus aromas and flavors. It’s more concentrat­ed than you might expect, and is just right for end-of-season caprese salads, fresh tomato sauces and pestos.

Scar of the Sea; Santa Barbara County Pinot Noir 2018; $27.99

Scar of the Sea, run by the husband-and-wife team Mikey and Gina Giugni, makes an array of wines from the Central Coast of California as well as a bunch of ciders. This bottle is an excellent introducti­on to the style: savory and restrained, floral, lightly fruity and resolutely expressive. It’s perfect for when the weather cools enough roast a chicken.

Domaine Ilarria; Irouléguy Rosé 2019; $25.99

Who said you shouldn’t drink rosé after Labor Day? Even though this is a longtime favorite rosé, I’m still surprised by its quality each time I open a bottle. It’s much darker than a typical French rosé, more the ruby color of a Cerasuolo d’Abruzzo, made of tannat and cabernet franc grown in schist. The flavor is elemental, like something you might imagine concocted from rocks and blood, which, believe me, is a great thing. Peio Espil, the proprietor of Ilarria, practices hands-off farming, and works naturally. The wines get better and better.

The evolution of the Douro Valley of Portugal, famed for centuries for its fortified port wines, has been fascinatin­g to watch. With a diminishin­g market for port, the region has produced more and more table wines, and they have become finer and more evocative. LXisto Ilimitado is made with a typical blend of red port grapes grown in schist soils. It’s savory, complex, aromatic and thoroughly delicious.

Castro Candaz; Ribeira Sacra Mencía 2017; $22.99

Castro Candaz is one of the many projects of Raúl Pérez, one of Spain’s leading itinerant winemakers, who produces gems from all over the country and beyond. For Castro Candaz, Pérez, in partnershi­p with another winemaker, Rodrigo Méndez, focuses on mencía grapes from the Chantada region of Ribeira Sacra in Galicia, an area where the hills are more sandy than is typical in the slate-rich Ribeira Sacra. It’s a concentrat­ed, earthy wine, with plenty of minerality.

Domaine Maestracci; Corse Calvi E Prove 2016; $24.99

Since Camille-Anaïs Raoust took over this estate in 2012 from her father, Michel Raoust, she has pushed to farm biodynamic­ally and has improved the winemaking. It’s situated in the Calvi region in the northern part of Corsica, where the leading red grape is niellucciu, or sangiovese. In the south, the leading red grape is sciaccarel­lu, or mammolo, a lesser known Tuscan grape generally used for blending. This red combines both grapes, along with grenache and syrah, to create a gorgeous wine that is floral, focused, lightly tannic and thoroughly Corsican.

Domaine de la Pépière; Muscadet Sèvre-etMaine Château Thébaud 2014; $27.99

This is one of my favorite muscadets from one of my favorite muscadet producers. It’s made from a parcel of vines grown in a particular sort of fissured granite, and is aged for more than four years before it’s released. It’s dense, with great minerality, a creamy texture and incisive acidity, yet still light on its feet. If you adhere to the old “R”

Goyo García Viadero is dedicated to farming and making wine with minimal interventi­on. This absolutely delicious wine comes from old vines of tempranill­o that are simply fermented in steel vats and bottled, without the addition of sulfur dioxide, an almost universall­y used stabilizer. The wine is vibrant and alive, with deep, pure flavors of dark fruits and flowers.

Manenti; Cerasuolo di Vittoria 2018; $26.99

Cerasuolo di Vittoria from the Vittoria region of southeaste­rn Sicily combines the body and richness of nero d’Avola with the limber freshness of frappato. It’s almost always a winning combinatio­n, especially in the hands of sensitive farmers and producers like Marita and Guglielmo Manenti, a husband-and-wife team who farm organicall­y. The result here is a sweet-and-bitter, earthy wine with lively acidity.

Anne-Sophie Dubois organicall­y farms about 20 acres in Fleurie. She is one of a small number of Beaujolais producers who generally do not use semicarbon­ic maceration, the typical winemaking method in the region. Instead, she makes her Fleuries in a method more typical in the rest of the winemaking world, destemming the grapes and fermenting them in the usual fashion. Those wines often require some aging. However, with this cuvée she does use the semicarbon­ic technique, in which whole bunches of grapes are piled into large vats. Those on the bottom are crushed and begin to ferment, producing carbon dioxide, which induces a different, intracellu­lar fermentati­on in the bunches on top. The result is a Fleurie that is great to drink now: fresh, energetic and pretty, with an underlying earthy note.

This American gamay is fun to contrast with the Dubois Fleurie. DivisionVi­llages is the easygoing, less-expensive label of Division Wine, and though this wine is modeled on a Fleurie, it is more akin to a Beaujolais-Villages, as the name Division-Villages suggests. Like the Dubois, this is made using the semicarbon­ic method most common in Beaujolais. It doesn’t have the complexity or heft of the Fleurie, but it is delightful and insanely easy to drink.

Brand; Germany PetNat 2019; $28.99

The young Brand brothers, Daniel and Jonas, work naturally in the north of the Pfalz region. I’ve had a number of their wines, and they are all unpretenti­ous and delicious, including this pétillant naturel, made with silvaner and weissburgu­nder, otherwise known as pinot blanc. It’s not complex or contemplat­ive. It’s just a wine full of citrus and herbal goodness, perfect to go with snacks and a football game.

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