Hartford Courant

Calif. wine country rebuilds as threats persist

Producers affected by blazes navigate ’21 growing season

- By Eric Asimov

ST. HELENA, Calif. — The block of vines at Cornell Vineyards on the Sonoma side of the Mayacamas Range, just over the county line from this Napa Valley hub, looked green and healthy in mid-july, as they ought to midway through the growing season. But looks can be deceiving.

This particular block withstood the devastatin­g wildfires that roared up the hillsides from both the Napa and Sonoma ends last September, destroying half of Cornell’s 20-acre vineyard, along with the newly renovated residence of Henry and Vanessa Cornell, the proprietor­s, and two other buildings.

Along the edges of the vineyard, charred Douglas firs stand like stoic sentinels as they await removal. The vines seem vibrant, but roughly 30% in the block have not produced any grapes whatsoever.

The rest have thick bunches dangling, but the vines may simply be going through the motions, producing grapes, but not of the quality that ordinarily goes into Cornell’s superb cabernet sauvignons.

Evidence of the devastatio­n is everywhere in the Spring Mountain District, the name of the appellatio­n on the Napa side, and the Fountaingr­ove District, the name on the Sonoma side.

Crumbling foundation­s with teetering brick chimneys are all that remain of houses. Hundreds of tree stumps stud the blackened hillsides, the dead trunks having been bundled away in giant logging trucks in an effort to remove fire hazards.

Erosion is a real threat here. The hope is that the stumps, with their intact networks of roots, will help keep the hillsides in place

once the fall rains begin.

But not all of the damage of the 2020 fires in the northern Napa Valley and the adjacent Sonoma County is so visible and obvious. The consequenc­es for vineyards that survived direct encounters with the fires remain to be determined, as wine producers affected by the blazes try to navigate the 2021 growing season, not exactly sure what they are confrontin­g.

Wineries can be rebuilt, interim facilities found, new vintages made, though the financial cost is steep. But for a winery to lose its vines — sometimes entire vineyards — is to be drained of its lifeblood.

For the most serious producers, whose aim is to document the distinctiv­e character of a place through the medium of wine, vines are nurtured like children through their infancy and their gangly, angular youth, with the hope that they will produce

balanced, expressive wines for decades.

At Cornell, the most gravely damaged vines were pulled out. Others were closely scrutinize­d. Vineyard workers scraped the outer layer of bark on the trunks of the vines to examine the cambium, the layer through which nutrients flow.

A green color indicated health. But it was not always clear whether the vines were healthy enough to produce top-quality grapes. Many vines in question were taken out, but Cornell left one block intact as an experiment.

“We pulled out a third of the vineyard, and now we have to evaluate the rest, vine by vine,” said Elizabeth Tangney, the director of viticultur­e and winemaking.

The vines adjacent to the trees were the most exposed to the fire and were visibly charred, Tangney said. Those without

conspicuou­s damage are question marks.

“Was it fire or were they just hot?” Tangney said. “Some vines seem healthy, but they are not producing fruit. Will they produce next year? There’s no textbook. We’re writing it this year.”

The task was similar at Newton Vineyard, a far bigger property on the Napa side of Spring Mountain, where steep, terraced vineyard blocks, almost 70 acres, cling to hillsides winding in multiple directions through wooded canyons. Fires destroyed the winery, its headquarte­rs and most of two vintages aging in cellars, along with all but 5 acres of the vineyard.

As at Cornell, the fringes of the vineyard, closest to the woods, were clear casualties. Farther from the trees, the damage was more difficult to assess.

It was left to Laura Deyermond, the vineyard manager, to walk through

each block, scraping through bark to observe the cambium and gauge the survival rate.

“I’ve put a lot of blood, sweat and tears into this, and had to make the call whether it would survive,” she said. “The majority of the property did not survive.”

That includes Newton’s Pino Solo vineyard, a block that once included a lone pine tree, an image that adorns Newton’s label.

The vines are green and, to an untrained eye, appear healthy. But they are no longer productive and will be removed later this year.

“The vines are green, but in survival mode,” said Jean-baptiste Rivail, Newton’s general manager. They are for all intents and purposes comatose, incapable of producing excellent grapes. “There is no longer a connection between head and heart,” he said.

A new block that would have come into production this year will also be pulled out. The damage there was clearer.

“The fire was so hot the vines were charcoal,” Deyermond said. Even so, the decision to pull out vines by the roots and start over has not been easy.

“We’ve gone through the stages of grief,” she said, “and are coming to acceptance.”

Looking across a valley from Newton, I could see the scorched brown vineyard of Cain Vineyard and Winery, where the fires consumed the winery and the 2019 and ’20 vintages, along with the residence and car of Christophe­r Howell and Katie Lazar, a husband and wife who are Cain’s general managers.

Just after the fires last year, I spoke with Howell, who told me the vineyard was largely intact. That turned out not to be the case.

Both Cain and Newton have made arrangemen­ts to make and age wines elsewhere. Cornell already used facilities away from its vineyard.

At Cornell Vineyards, where the proprietor­s, Henry and Vanessa, were on the cusp of full production after 21 years of experiment­ation and labor, the fires were a moment of reckoning. They had been in New York at the time of the blazes, and were stunned at the extent of the destructio­n. For a moment they wavered on reconstruc­tion.

“Oh my gosh, can we really take this on again?” Vanessa Cornell recalled. “But we got over it pretty quickly. Our team was like, ‘If you’re game, we’re game.’ ”

As at Newton, firebreaks and forest management will be a crucial part of the rebuilding plan. With the accelerati­ng effects of climate change, diminishin­g supplies of water and continued threat of fires, it’s no longer clear that the region will be hospitable to ambitious winemakers. But the Cornells are going to try.

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 ?? RACHEL BUJALSKI/THE NEW YORK TIMES ?? Elizabeth Tangney, the director of viticultur­e and winemaking at Cornell Vineyards, inspects damage from a wildfire July 21 in Santa Rosa, California. She said the vines that survived might not yield quality grapes.
RACHEL BUJALSKI/THE NEW YORK TIMES Elizabeth Tangney, the director of viticultur­e and winemaking at Cornell Vineyards, inspects damage from a wildfire July 21 in Santa Rosa, California. She said the vines that survived might not yield quality grapes.

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