Hartford Courant

Spring risotto in shades of pink and green

- By Melissa Clark

The day I found out that I didn’t have to stand over the risotto pot, stirring constantly with one hand as I awkwardly ladled in simmering liquid with the other, was the day the rice dish went into my permanent dinner rotation.

Before that, risotto was for special occasions only, something I’d trot out when I was trying to impress.

With the rumpled pages of my copy of Marcella Hazan’s “Essentials of Classic Italian Cooking” falling open to page 245 — Risotto With Parmesan Cheese — I gave the cooking technique my full attention, heeding the formidable author’s precise instructio­ns.

“You must never stop stirring,” she wrote, explaining that it is through “the gradual administra­tion of small quantities of liquid” and never-ending stirring that the soft starch of the short-grain rice is able to bind with the broth, creating a satiny sauce.

Rice that is not constantly stirred, she admonished, “may turn into a perfectly agreeable dish, but it is not risotto, and will not taste like risotto.”

Dutifully, I stirred and stirred, losing hours of my life to those needy rice pots.

When I heard there was an entire contingent of risotto rebels who did not abide by constant stirring, I immediatel­y joined their ranks.

An occasional vigorous stir, I learned, works perfectly well. So does cooking rice and broth together in a stovetop or electric pressure cooker. And so does baking it.

Whether you feel comfortabl­e calling the dishes that result from these techniques risotto is up to you. But they are excellent methods and undeniably easier.

For this vegetable-rich rendition, I add an entire

bunch of chard, both stems and leaves, to the risotto pan. The stems, sliced and sautéed with some shallots, turn sweet and succulent. The chopped leaves are mixed in later, wilting in the broth and speckling the rice with bits of green. If you can get Swiss chard that’s red, it tints everything gorgeously pink, but Swiss or rainbow chard with stalks of any color will work equally well.

I also threw in pancetta for a salty, brawny crunch. But it’s easy to leave out and, if you weren’t expecting the pork, you’d never miss it. Or you can substitute shiitake or oyster mushrooms, sautéed until crisp.

The possibilit­ies here really are endless. The ingredient­s in risotto, it turns out, are just as adaptable and forgiving as the cooking method.

 ?? DANE TASHIMA/THE NEW YORK TIMES PHOTOS ?? A whole bunch of chard adds color and texture, while pancetta lends a porky, salty crunch to a pot of satiny risotto.
DANE TASHIMA/THE NEW YORK TIMES PHOTOS A whole bunch of chard adds color and texture, while pancetta lends a porky, salty crunch to a pot of satiny risotto.

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