Horse & Rider

Show Horse TO Trail Horse

Your show horse’s experience and conditioni­ng are suited to trail riding. Here’s how to make a smooth transition.

- BY STACY AND JESSE WESTFALL, WITH HEIDI MELOCCO PHOTOS BY TIM FINNEGAN

You’ve bought a show horse with the idea of having a trail horse with a solid training background. Or you’re ready to transition your current campaigner to be your full-time trail partner. Most horses with a background in showing can make solid trail horses. Your show horse is likely well-trained, has traveled to unfamiliar locations, and is used to trailer travel.

We ride all our show horses on the trail. While we make sure that our horses are both trail- and arena-trained from the start, we understand that many show horses are trained only in the arena.

Your transition to the trail might be easy—or require a few extra steps, depending on what your horse did in the arena and the type of training he had.

Here we’ll give you four steps to transition­ing your former show horse to reliable trail horse. (For tips on riding your show horse on the trail while continuing his show career, turn to page 60; for tips on training a young horse, turn to page 64.)

Step 1: Know His Background

If you’ve just purchased a show horse, ask the previous owner how the horse was trained and what events he was trained for, so you’ll know how

much retraining the horse will need for the trail.

For instance, if your horse was trained to accept contact with the rider’s hands (what we call connecting) and learned to control his emotions (so he’s not reactive even if he’s excited or around excitement), he should make the transition without much fuss.

We recently rode with a friend who’d just purchased a former show horse. The horse thought that any bit pressure meant that he should put his head down and behind the bit— tucking his chin down and toward his chest. As we rode down a hill, our friend gently pulled back on the reins to ask her horse to slow and rock back onto his haunches to balance.

Instead, the horse’s weight shifted forward and he automatica­lly lowered his head more and more in response to her rein aid. He had to choose between raising his head to balance and obeying a learned show-pen cue. He chose to respect his previous show-ring training. Lowering his head in this situation threw him out of balance—causing anxiety for both horse and rider.

The scene continued: My friend felt her horse falling forward so she pulled on the reins; the horse dropped his head more and more. The situation quickly escalated; we had to find an emergency solution. We arranged the horses below the unbalanced horse so they would block him from cart-wheeling down the hill.

My friend needed to teach her former show mount that bit pressure could do more than cue for a low headset. She also needed to teach her horse that she’d be his guide and trail partner to keep them both safe.

Step 2: Connect With the Reins

As you evaluate your horse’s training, find out whether he’ll allow you to

connect— that is, accept direct contact with the reins and allow you to turn him in any direction, help him slow down to balance, and stop him.

To teach your horse to connect,

outfit him in a snaffle bit and his usual working tack. Pick up a rein in each hand and test his responsive­ness to your rein cues.

In the process of becoming more sensitive to riders’ aids for the show pen, horses sometimes become worried when they feel their riders hold light rein contact. Completing a figure-8 pattern will help teach your horse to accept contact while staying relaxed.

You’ll trot a 20-foot circle to the right then to the left to complete a figure-8 pattern. Begin by completing one full circle to the right, then pick up your left hand to move your horse’s nose to the left. Complete a circle to the left keeping your left hand slightly elevated and contact with both reins. When you reach the middle of the 8 again, pick up your right hand, and lower your left hand. While your body will naturally apply leg and weight cues as you look in the direction you want to go, you’ll lead with rein cues to help your horse remember his direct-reining responses.

Next test your horse’s stopping power. In the show pen, he might’ve been taught to read and react to the slightest shift of the rider’s body. Because of this, he might be rusty when it comes to stopping with direct rein pressure alone. You need to remind him how to stop with direct pressure. If something unusual happens on the trail (such as hikers approachin­g), you’ll need to be able to stop your horse even if he spooks and bolts. You’ll do this by using direct rein contact, as well as a weight shift, to turn and stop him.

Test your “brakes” by trotting three 20-foot circles to the right. Then quickly and smoothly bring your horse to a halt by pulling evenly on both reins. For now, resist the urge to use your seat, legs, or voice cues. You’re isolating your horse’s reaction to the reins to find out how he responds to a smoothbut-quick halt command.

If your horse responds well and doesn’t seem worried or agitated (shaking his head, becoming stiff, or avoiding contact), he understand­s how to respond to your cues. This skill will help you work together and navigate obstacles on the trail.

Step 3: Introduce Obstacles

If you’re unsure of your horse’s past or aren’t sure how he’ll react to new trail experience­s, start with groundwork in the arena. When you know how to send him toward a new obstacle on the ground, you can use the technique under saddle on the trail, such as when you introduce your horse to a water crossing for the first time.

First, find and scatter interestin­g objects, such as a folded tarp (a must), large yoga ball, pool toys, old tires, shavings’ bags, and a jump standard, around one part of your arena. Choose objects your horse has likely never seen before or that you can arrange in a new way that gets his attention.

Outfit your horse in a rope halter and 24-foot lead, and lead him to the part of your arena that’s open but within sight of the obstacles. Hold the longe line in one hand and excess line and whip (or stick) in the other hand, as an extension of your arm. Ask your horse to longe. If he’s calm or just mildly excited, send him around five times at the trot, then reverse direction, and repeat. Stop and reward him by letting him stand.

If your horse has a big reaction— such as trotting half a circle and then rolling back to flee from the new environmen­t and the objects—pull on the longe line, and ask him to return to the direction he was traveling. (Watch his movements to make sure he respects your space. If he comes toward you, be ready to use your whip to push him from your space.) Repeat this maneuver until he longes calmly.

When your horse works calmly in the obstacle-free zone, move closer to the folded tarp. Longeing him near the tarp instead of leading him toward it requires him to accept your cues while you stand safely out of the way of his reaction. Your ultimate goal is to send him up to the tarp and ask him to cross it—but you’ll work up to that.

Hold the longe line in your left hand and the slack and longe whip (or stick) in your right hand. Standing close to the tarp, ask your horse to turn toward you to focus his attention on the tarp. Then send him back out, and longe him in a circle to the left.

After three laps, ask your horse to turn to the inside as soon as he passes the tarp. To accomplish this, pass

the whip to your left (lead) hand, and reach farther up the lead with your right hand. Take one step back, and pull steadily as you bring the whip across your body and to your left.

After your horse makes several good turns, step back from the tarp, and continue to longe him. In this position, he’ll turn closer to the tarp. Repeat the turns as soon as his hindquarte­rs pass the tarp. Continue to turn him back and forth near the tarp.

Ideally your horse will begin to do a figure 8 and always turn back toward the tarp. If he shows signs of curiosity (even glancing at the tarp), remove all go-forward cues, and let him look at the tarp. When his attention wanders, repeat the exercise. With consistenc­y, he’ll sense the release when he glances at the tarp and look at the tarp longer and longer. Step back farther to bring his turns closer to the tarp.

Eventually your horse will begin to see the tarp as a reward. If he looks at it or shows interest, he gets to stop. Keep drawing him closer to the tarp until he trots over it. Continue on to all objects that are safe to cross and approach. When your horse easily approaches them, he’ll be ready to approach any new obstacle on the trail.

Step 4: Ride on the Trail

When you take your horse on his first-ever trail ride, go with a buddy, and don’t go far. If he becomes worried, consider ponying him from a seasoned horse first. Start by looping around a field or riding around the pasture. Apply the groundwork lessons by asking him to approach anything that worries him and allowing him to stop when he looks at what worries him.

On your next ride, go a little farther, then head back on the same path. When you ride in the same location, your horse’s confidence will boost because he’ll know the terrain and what to expect. Keep taking longer and longer trail rides that you know well to build his confidence—and your confidence that your show horse is becoming a calm, reliable trail mount.

When your horse is tuning in to your cues and responding well, you’ll have a horse that you can ride anywhere and have a fun and relaxed ride. 

 ??  ?? When your horse learns to stop well, you can work as slowly—or as fast—as you choose. Riding a gallop at full speed then knowing that you can slow down or stop means that you have physical and mental control of your horse in any environmen­t.
When your horse learns to stop well, you can work as slowly—or as fast—as you choose. Riding a gallop at full speed then knowing that you can slow down or stop means that you have physical and mental control of your horse in any environmen­t.
 ??  ?? In taught the show to read pen, and your react horse to the might’ve slightest been shift of your body and might not have been ridden with direct rein pressure for some time. Stacy demonstrat­es this slack-rein position. However, if something unusual...
In taught the show to read pen, and your react horse to the might’ve slightest been shift of your body and might not have been ridden with direct rein pressure for some time. Stacy demonstrat­es this slack-rein position. However, if something unusual...
 ??  ??
 ??  ?? If you’re not sure how your horse will react to new trail experience­s, start with groundwork. Set up obstacles in the arena, then longe him first in an obstacle-free portion of the arena.
If you’re not sure how your horse will react to new trail experience­s, start with groundwork. Set up obstacles in the arena, then longe him first in an obstacle-free portion of the arena.
 ??  ?? Stacy and Jesse Westfall, Loudonvill­e, Ohio, train horses and riders for the arena and the trail. In 2006, Stacy was the first woman to win the Road to the Horse colt-starting challenge; in 2012, she was inducted into the Cowgirl Hall of Fame. Jesse...
Stacy and Jesse Westfall, Loudonvill­e, Ohio, train horses and riders for the arena and the trail. In 2006, Stacy was the first woman to win the Road to the Horse colt-starting challenge; in 2012, she was inducted into the Cowgirl Hall of Fame. Jesse...

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