Horse & Rider

Conformati­on Clinic: Aged Paint/Pinto mares.

- Cyndi Brown holds judging cards with AQHA, APHA, NSBA, NRHA, NRCHA, ASHA, ARHA, and USEF, and has judged the All American Quarter Horse Congress; APHA World Show; and AQHA Championsh­ips in Germany, Australia, and Ireland. Brown has also been training hors

When judging conformati­on, I look for the perfect horse for that breed type, so I need to know what’s expected for that breed in terms of balance and structural correctnes­s. Official breed rulebooks lay out those expectatio­ns.

Balance is the most important thing, no matter the breed I judge. I’ll walk down a line of entrants and profi le them fi rst for balance, looking for skeletal proportion­s. Second, I look for structural correctnes­s, making sure their legs are straight or properly angled where needed. Then I look at muscling for tone and even distributi­on throughout the body. Muscling doesn’t need to be huge, but adequate for the breed and the horse’s use. Finally, I look for breed and sex characteri­stics, wanting mares to look feminine, stallions to look masculine, and any representa­tive of a breed to look like that breed.

With a live class, I’d walk around the horses to evaluate them from all angles and see them move. Here, I must judge based on only one angle, and no movement. I still look for overall balance first, though, followed by structural correctnes­s as best I can see it, muscling, and breed and sex characteri­stics. →

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