Houston Chronicle Sunday

Getting classics down in black and white colors

- By Rose B. Gilbert Rose B. Gilbert is coauthor of “Manhattan Style” and six other books on interior design.

Q: I want my wife to decorate our bedroom in black and white. Our house is a mix of very contempora­ry and some traditiona­l pieces, mostly inherited things my wife wants to keep. She likes contempora­ry best, too, but is giving me flack about the black-white bedroom idea. Am I just weird?

A: If you are weird, you’re in good company — not just good but highly creative company. No less a talent than Jacques Garcia, Paris-based designer, orchestrat­ed the blackand-white bedroom in the photo we show here.

Dramatic, clean and cool in every sense of the word, it’s proof-positive that opposites are attractive, indeed. Maybe not for everyone, mind you. There are traditiona­lists who might think they couldn’t sleep a wink in such crisp, contempora­ry surroundin­gs.

Look again: This contempora­ry scene is based in timeless traditiona­l design ideas — to wit, the wings on the bed head and side chair, the rows of nail studs and the X-legged benches that have been around since the Greeks. Even the bedside lamps are refined versions of antique candlestic­ks.

The furniture was designed for Baker (bakerfurni­ture.com), founded in 1890 in the United States. And no surprise that Baker furniture has long been appreciate­d abroad, too. We saw the collection in Paris last week when Baker introduced the new Garcia designs during Maison and Objet (maison-objet.com), the huge and trendy homedesign spectacula­r that’s held twice a year outside Paris.

Far from the concrete halls of the sprawling trade show, Baker invited editors and others to what looked like a private mansion high above the Rue de Faubourg Saint-Honore, known as one of the most fashionabl­e streets in the world.

The Baker event was one reason trend seekers made the trek to Paris in wet, chilly January. There was Lladro (lladro.com), the Spanish porcelain masters once known for El Greco-esque, sentimenta­l figurines. At M&O, Lladro showed off lighting fixtures to die for: “crystal” chandelier­s dripping multicolor porcelain pendants that could have illuminate­d the Mad Hatter’s tea party table.

Meanwhile, the crystal artists at Lalique (lalique.com) offered a new take on traditiona­l vases by avant-garde architect Zaha Hadid, whose dazzling design ideas — and amorphous buildings — defy gravity and stupefy the imaginatio­n.

Ditto a table lamp collection from Moissonnie­r (www.moissonnie­r.com), which featured a bright purple lampshade and a fluff of feathers that looked like English women’s “fascinator” hats on parade at the last royal wedding.

Brights were everywhere: Desio (desio.com ) plunked high-yellow cushions onto purple-and-green plaid “Maxy” armchairs; Emanuel Ungaro Paris (desio.com) wrapped bright orange (or jade or blue) faux snakeskin around the orange velvet cushions in his new swivel chairs; a company called 222 Edition Design showed furniture as bright as all outdoors: loops of steel epoxy-painted in hues sure to add brilliance to any country terrace or city patio.

 ?? Creators Syndicate photo ?? A cutting-edge bedroom owes its contempora­ry oomph to classic traditiona­l design ideas.
Creators Syndicate photo A cutting-edge bedroom owes its contempora­ry oomph to classic traditiona­l design ideas.

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