Houston Chronicle Sunday

Abolitioni­st movement as portrayed in ‘Free State of Jones’ drawn from Bible

- By Kimberly Winston Kimberly Winston is a freelance religion reporter based in San Francisco. She covers atheism and freethough­t for Religion News Service.

It’s a long way from Hollywood, yet a swampy corner of southeast Mississipp­i has given the film world its latest hero — or maybe antihero.

His name is Newton Knight, born 180 years ago and played by Matthew McConaughe­y in the “The Free State of Jones,” now showing in theaters.

The movie tells the true (OK, true-ish) story of Knight and a small band of farmers and slaves who successful­ly fought their fellow Civil Warera Confederat­es to declare Jones County, Miss., loyal to the United States — and free of slavery.

McConaughe­y, in an interview with The Daily Beast, described Knight as divinely inspired even if he “was not a ‘turn the other cheek’ New Testament guy,” as the actor put it.

“Knight had a moral code rooted in the Bible and the Declaratio­n of Independen­ce: love thy neighbor as thyself, and all men are created equal,” McConaughe­y, 46, said. “So he had a very radical relationsh­ip with his own independen­ce, and interdepen­dence — which is very American. Extremely American.”

That’s good Hollywood P.R. Here’s the history behind the real Knight, which is just as powerful:

Knight enlisted in the Confederat­e Army at the beginning of the war, in July 1851. Some scholars say he did so unwillingl­y, while others — most notably Victoria E. Bynum who wrote the book the movie is named for and based on — thinks he loved being a soldier.

“He was a Primitive Baptist who didn’t drink, didn’t cuss, doted on children and could reload and fire a double-barreled, muzzle-loading shotgun faster than anyone else around,” Wyatt Moulds, a history professor and direct descendant of Knight told The Smithsonia­n magazine.

“Even as an old man, if someone rubbed him the wrong way, he’d have a knife at their throat in a heartbeat. A lot of people will tell you that Newt was just a renegade, out for himself, but there’s good evidence that he was a man of strong principles who was against secession, against slavery and pro-Union.”

After a big Confederat­e defeat in late 1862, Knight and other Jones County men deserted.

Bynum writes that the tipping point was the passage of the “Twenty Negro Law,” which excused one white man from the war for every 20 black slaves he owned. Knight and most of the men he fought with were small farmers with no slaves.

Back at their farms, Knight and other deserters found their families starving, as Confederat­e officials taxed them to the brink, taking livestock, crops, food and anything else they wanted for the army.

In October 1863, a Confederat­e major, Amos MacLemore, arrived in Ellisville, the seat of Jones County, to hunt deserters. On the night of Oct. 5, someone — most likely Knight — shot and killed him. A band of deserters and their supporters then elected Knight their leader.

They raised an American flag over the Jones County courthouse and declared it the “Free State of Jones.”

“They vowed to resist capture, defy tax collectors, defend each other’s homes and farms, and do what they could to aid the Union,” Richard Grant wrote in Smithsonia­n.

The movie is written and directed by Gary Ross, who also has “Seabiscuit” and “The Hunger Games” to his credit.

In one pivotal scene, a slave (played by Mahershala Ali) declares he is not a man because he is not free. In writing Knight’s response — an entire speech — he told Fandango he thought about irreducibl­e arguments the real Knight might have believed.

“You cannot own a child of God,” Ross said. “If we are all God’s children, then no one can be owned. You’re innately free. Those rights come from your Creator. And so, they are simple ideas but simple ideas because they are irreducibl­e are powerful.”

They are also drawn from the Bible and were the foundation of the abolitioni­st movement — another historical­ly accurate part of the film that McConaughe­y and Ross stress.

“So in the same way we don’t shy away from bloodshed in the beginning, we are not going to shy away from Scripture as it relates to what this movie is because it might not be vogue in a hip or secular society,” Ross told Fandango, a movie news website. “It was a huge component and very necessary to include.”

Needless to say, Knight survives the war — even if the Free State of Jones did not.

And the film follows Knight through the post-war years, when he had three families with three different women and fathered dozens of mixed-race children — something Grant, who interviewe­d contempora­ry residents of Jones County, says made him unpopular there.

Knight died in 1922 at the age of 84. His grave, and that of his second wife, a former slave, are tended by fans in Jones County today — even as historians continue to spar over whether Knight was a hero or a heel.

“It happened,” McConaughe­y said in the Daily Beast interview. “It’s real. So let’s sit here and go, ‘Yeah, guess what man, the world is not all clean and neat. We want to expect the best in everyone but we have to understand that we all have good and bad in us, and these are some times when we’ve made mistakes, there are some things where people were just wrong, and this is how we’ve improved and are still evolving.’ ”

“Knight had a moral code rooted in the Bible and the Declaratio­n of Independen­ce: love thy neighbor as thyself, and all men are created equal. So he had a very radical relationsh­ip with his own independen­ce, and interdepen­dence — which is very American. Extremely American.” Matthew McConaughe­y

 ?? Murray Close photos / STX Production­s ?? Matthew McConaughe­y stars as Newton Knight in “The Free State of Jones.”
Murray Close photos / STX Production­s Matthew McConaughe­y stars as Newton Knight in “The Free State of Jones.”
 ??  ?? Mahershala Ali, left, and Gugu Mbatha-Raw portray former slaves in “The Free State of Jones.”
Mahershala Ali, left, and Gugu Mbatha-Raw portray former slaves in “The Free State of Jones.”

Newspapers in English

Newspapers from United States