Houston Chronicle Sunday

‘Bitterswee­t Harvest’ traces bracero labor program

- By Olivia P. Tallet olivia.tallet@chron.com twitter.com/oliviaptal­let

The Holocaust Museum of Houston is opening its first bilingual English-Spanish exhibition, showcasing the history of a guestworke­rs program that allowed the United States to maintain its agricultur­al production during World War II but at high human costs for the Mexican labor, particular­ly in Texas.

The exhibition, entitled “Bitterswee­t Harvest: The Bracero Program 19421964,” continues through May 14.

Bracero, which means arms or labor force in Spanish, is the popular name given to the Emergency Farm Labor Program between the countries, signed in 1942.

It allowed U.S. employers to contract Mexican labor for agricultur­e and railroad jobs through the program to replace American workers moving to other, better-paid industries that were booming during World War II.

The exhibit was originally organized and presented by the Smithsonia­n’s National Museum of American History and the Smithsonia­n Institutio­n Traveling Exhibition Service and has been presented in several cities across the country.

It features 15 freestandi­ng banners highlighti­ng photograph­s by Leonard Nadel, a photograph­er who documented the harsh conditions of bracero workers in 1956 to expose employers’ violations and improve their living conditions, the museum indicated.

With the exhibit, “We wanted the public to know more about this program, the men that worked in agricultur­e during those times and how it shaped the policy and the social landscape in the United States,” said Steve Velasquez, an associate curator at the Museum of American History.

The Holocaust Museum added local elements to the exhibit, including short documentar­ies about braceros and their descendant­s from Houston.

Connecting to present

“This story is not taught in our schools,” said Michelle Tovar, who’s in charge of the museum’s Spanish outreach and Latin American initiative­s.

She added that the exhibit “allows people to understand and make connection­s between our current and past histories as it shows the discrimina­tion and the prejudices that these men went through during that period.”

Although Mexico and the U.S. signed an agreement establishi­ng decent payment and working and living conditions, they were violated by employers nationwide, particular­ly in Texas.

Initially, Mexico decided its nationals were not going to be sent as braceros to Texas; the state had a bad reputation for its treatment of Mexicans already working there as undocument­ed laborers. So Texas didn’t participat­e in the program until 1948, six years after it started in California and the rest of the country.

Jesús Jessy Esparza, a professor of history at Texas Southern University, says bracero workers were “overworked, underpaid and were viewed as threats to the society.”

These workers were frequently accused of being a burden on the economy, Esparza said, and were even viewed as potential spies during wartime. At the end of the program, in 1964, a U.S. initiative called Operation Wetback deported millions of braceros who were still under contract or had overstayed their work periods.

The Holocaust Museum is particular­ly relevant, Esparza said, “when we see this kind of trend happening today in the country.”

Esparza, along with three students from the TSU DigitalSto­ry program, has produced short documentar­ies about local braceros and their families for the museum’s oral history program.

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 ??  ?? “Bitterswee­t Harvest,” a bilingual (English/ Spanish) exhibition at the Holocaust Museum of Houston, explores the largest guest-worker program in U.S history.
“Bitterswee­t Harvest,” a bilingual (English/ Spanish) exhibition at the Holocaust Museum of Houston, explores the largest guest-worker program in U.S history.
 ?? Photo by Leonard Nadel, 1956 Courtesy Smithsonia­n’s National Museum of American History ??
Photo by Leonard Nadel, 1956 Courtesy Smithsonia­n’s National Museum of American History

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