Houston Chronicle Sunday

Santa Fe-style interiors coming to life again

- By Joseph Pubillones Joseph Pubillones is owner of Joseph Pubillones Interiors, an award-winning interior design firm based in Palm Beach, Fla. Visit josephpubi­llones.com.

During the 1990s, there was a fascinatio­n with the architectu­re, interiors and designs inspired in the Southwest.

The decor came in waves via travel and a rediscover­y of places such as Sedona, Arizona, and Taos and Santa Fe, New Mexico.

The color palette was filled with earth tones born of the adobe architectu­re peppered by tones seen in the sky at dusk, ranging from faint amethyst to cornflower blue.

The desert flora and fauna are the inspiratio­n for many of the interiors seen during their original heyday.

This style is historical­ly significan­t to American culture. Southweste­rn architectu­re and design spread widely beyond its geographic boundaries and made its way out toward California and southeast to Louisiana and in places such as Florida, where early developers and architects chose this style as a simpler alternativ­e to the favored Mediterran­ean revival.

Traditiona­lly, the style that became known as Santa Fe was inspired by the architectu­re and furniture designs brought over to the missions by the Spanish clergymen.

Heavily carved, dark wood furniture mixed with naturally tanned leather seating and velvet upholstery were the norm.

Accessorie­s and artwork at the hands of local artists were filled with religious symbols and references such as saints and crosses. The architectu­re included as standard handcrafte­d and roundededg­e adobe walls, timbered or hand-framed ceilings and saltillo, the clay tile that blanketed many of the homes south of the border. Textiles and rugs were often the work of area natives.

Some interior designers are delighted, as it seems Santa Fe-style interiors are coming to life again. Today’s Santa Fe interiors are more playful and less restrictiv­e. In fact, they are melding, as most other styles, into an eclectic version of what they used to be, and integratin­g furniture pieces from every era covering from American midcentury pieces to sleek, contempora­ry Europeanst­yle seating.

In this new mix, Flame-stitch patterns have been replaced with Ikat fabrics, and the rough textures of leathers have been replaced with suede, microfiber­s, and classic cottons and linens. Color ways have subdued into neutrals with splashes of color than the old vibrant chromatic colors expected of the southwest.

In architectu­re, there has also been a merging of styles. Besides the traditiona­l adobe constructi­ons around courtyards, the Southwest was also influentia­l in the architectu­re of the 1950s and 1960s ranch. Today’s architectu­re while claiming some of the original traits of the courtyards, it has incorporat­ed more glazed surfaces and less walls to view the dramatic landscapes. Large overhangs protect glass walls from overheatin­g in the summer heat.

Today’s interiors Santaare moreFe playful and less restrictiv­e. In fact, they are melding, as most other styles, into an eclectic version of what they used to be...

 ?? Creators Syndicate photo ?? Today’s Santa Fe-style interiors are more playful and less restrictiv­e. In fact, they are melding as most other styles into an eclectic version of what they used to be.
Creators Syndicate photo Today’s Santa Fe-style interiors are more playful and less restrictiv­e. In fact, they are melding as most other styles into an eclectic version of what they used to be.

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