Houston Chronicle Sunday

Critics of Oprah book club title put ‘American Dirt’ on trial

- By Hillel Italie

TUSCON, Arizona — When Oprah Winfrey chose the novel “American Dirt” for her book club, she imagined engaging in an impassione­d television dialogue about the narrative, which follows a Mexican mother and her son fleeing to the United States.

Instead, Winfrey ended up organizing a show that put the book, author Jeanine Cummins and Winfrey herself on trial. After critics complained about the novel’s portrayal of Latinos, she turned the forum into a debate about the marginaliz­ation of Latino voices, the lack of diversity in publishing and the question of who is best suited to tell a given story.

Just a few months ago, the book was one of 2020’s most welcome releases, described as a modern-day version of John Steinbeck’s classic “The Grapes of Wrath.” But criticism quickly mounted and made it Exhibit A in grievances against the industry. Mexican-American writer Myriam Gurba condemned the novel as a “Trumpian” charade crammed with Mexican stereotype­s.

Winfrey and Cummins were joined on the show by three prominent critics of the book.

The Associated Press attended the taping of the highly anticipate­d program last month in Tucson, not far from where Cummins wrote and researched parts of the novel. The program airs on Apple TVPlus.

After the show, Winfrey lamented the controvers­y.

“This has taken up a lot of my energy, a lot of her (Cummins’) energy, and it’s taken away my attention from why people want to read books,” she said.

Future book-club picks, she said, will almost certainly include Latino authors — she has chosen only a handful since founding her club in 1996. She promised a more thorough approach that anticipate­d possible backlash, saying she was not going “to wade into that water” again.

Cummins said the conversati­on was “productive.”

“It was civil. I really understood where they were coming from,” she said. “I hope that they also understood where I was coming from.”

In her opening remarks, Winfrey defended her choice of “American Dirt,” saying the book had made her feel personally connected to the stories of immigrants. But she acknowledg­ed the criticisms and said her response was to “lean in” and embark on a conversati­on without “having to cancel, to dismiss or to silence anyone.”

After introducin­g Cummins, Winfrey asked if Cummins regretted her author’s note, in which she speculated that someone “browner” might have been worthier to write the novel. Cummins called her language “regrettabl­e.”

She also did not dispute that she had enabled the “conflation” of her Irish husband’s wait for citizenshi­p — she described him in the note simply as an “undocument­ed immigrant” — with the far more dire battles many face at the U.S.-Mexico border.

The two were then joined by Esther Cepeda, a Washington Post columnist; Julissa Arce, an activist, commentato­r and author of the bestsellin­g “My (Undergroun­d) American Dream”; and Reyna Grande, whose books include the bestsellin­g memoir “The Distance Between Us.”

Grande said the industry was giving “American Dirt” a level of attention far beyond what she and other Latinos have received. Arce chastised Cummins for writing an essentiall­y apolitical book, omitting any direct criticisms of the Trump administra­tion.

 ?? Hillel Italie / Associated Press ?? Oprah Winfrey, left, and “American Dirt” author Jeanine Cummins
Hillel Italie / Associated Press Oprah Winfrey, left, and “American Dirt” author Jeanine Cummins

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