Houston Chronicle Sunday

Disneyland’s Autopia ditching gasoline-powered cars

- By Sammy Roth

The air tastes putrid. The traffic is terrible. The engines are loud, the oil-stained roadways ugly and antiquated.

This is Autopia, part of Walt Disney’s Tomorrowla­nd, where kids from around the world come to dream about the future.

If anyone could get away with defending the toxic odor, it might be Bob Gurr. He designed the original Autopia cars in the mid-1950s, working closely with Walt himself. He’s proud of what they built together.

But today, the 92-year-old Disney legend says the polluting motors need to go.

“Get rid of those God-awful gasoline fumes,” he told me.

Disney is finally preparing to do just that.

In news shared exclusivel­y with the Los Angeles Times ahead of this column’s publicatio­n — after several weeks of my prodding the company for answers on the future of Autopia — Disney officials revealed that pure gasoline engines are on their way out.

“Since opening with Disneyland park in 1955, Autopia has remained a guest-favorite most popular with young kids experienci­ng driving for the first time,” spokespers­on Jessica

Good said in an email. “As the industry moves toward alternativ­e fuel sources, we have developed a roadmap to electrify this attraction and are evaluating technology that will enable us to convert from gas engines in the next few years.”

Good wouldn’t confirm whether that means electric vehicles, or if hybrids are a possibilit­y. EVs would obviously be better.

But whatever comes next, this is fabulous news.

And in an ideal world, it will be just the beginning for clean energy and sustainabi­lity at Tomorrowla­nd.

Gurr feels similarly.

When I called him a few weeks before Disney revealed its plans, I didn’t know whether he’d agree with me that the company should ditch oil and go electric at Autopia. I wondered if he’d say that clean cars are no fun compared with gas-powered vehicles, or that politicall­y divisive issues such as climate change shouldn’t drive decisionma­king at the Happiest Place on Earth.

But not only did Gurr agree with me about Autopia — he also expressed a grander vision for Tomorrowla­nd as a hub for stories about renewable energy, public transit and other sustainabl­e technologi­es that will help us create a better tomorrow.

“This has to be done with positive urging, rather than attacking and criticizin­g,” Gurr said.

I was thrilled to hear it. I’ve been thinking the same thing about Tomorrowla­nd for a long time.

Let’s back up for a minute. I care deeply about the climate crisis, hence my work as a climate journalist. I’m also a huge Disney fan.

Some environmen­talists see corporatio­ns such as Disney as prime examples of capitalism run amok — of excessive consumeris­m and waste driving Earth to the brink of ecological catastroph­e. But I can’t help but see value in this particular company.

Because for me, the Walt Disney Co. has been a lifelong source of joy and comfort.

I grew up a Disneyland passholder, making regular trips to Anaheim, singing along to Disney soundtrack­s and admiring the latest Disney merchandis­e (and yes, making the occasional purchase). I continue to derive great happiness from all those things.

And knowing what a deep impression Disney’s stories have left on me — and on hundreds of millions of people around the world — I’m convinced that the company wields unmatched power to spur unpreceden­ted progress on the climate crisis.

I shared my hunch with acclaimed climate scientist and communicat­or Katharine Hayhoe. She told me I was on to something.

Hayhoe, a professor at Texas Tech University, has written and spoken extensivel­y about the need for climate stories that go beyond gloom and doom — specifical­ly, stories that show people their actions make a difference.

She cited neuroscien­ce and psychology research finding that although fear can help wake us up to a problem, it can also paralyze us in terms of taking action — at least if we think there’s no hope. And although some people are motivated by sacrifice — giving up gas cars or driving fewer miles, for instance — many more can be made to worry about government taking away their pickup trucks or hamburgers or gas stoves, popular talking points for conservati­ve politician­s looking to win elections.

“We’re more afraid of losing something than we prize the benefit of gaining something new,” Hayhoe said.

Fortunatel­y, she added, “the neuroscien­ce is very clear that narratives are really effective at communicat­ion.” Movies, TV shows and other kinds of stories — Hayhoe serves on Netflix’s sustainabi­lity advisory group — can help “normalize” clean energy solutions such as gas-free induction stoves. And unlike news articles or social media chatter likely to be seen by climate deniers and clean energy skeptics as partisan or untrustwor­thy, entertainm­ent can still help change people’s minds.

And even when changing minds isn’t possible, entertainm­ent can help convince people worried about rising temperatur­es that their actions really do matter.

“Showing people what climate solutions look like is one of the most effective ways to get them to support action,” Hayhoe said, paraphrasi­ng another scientist who studies climate communicat­ions. “That’s what you’re talking about, right?”

Indeed, this is where Tomorrowla­nd could prove especially valuable in the fight to save the planet.

At the Anaheim park’s opening, Walt Disney called Tomorrowla­nd “a vista into a world of wondrous ideas” and “a step into the future, with prediction­s of constructi­ve things to come.” He promised it would offer “new frontiers in science, adventure and ideals.”

Nearly seven decades later, Walt’s creative heirs haven’t been living up to that promise.

I was reminded how badly they were failing early last month, when I met up with climate change activists Zan Dubin and Paul Scott outside Disneyland’s entrance. They had filed complaints about Autopia’s noxious fumes with two regulatory­agencies, worried about possible health problems for Disney employees working the ride and guests waiting in line.

They also had messaging concerns.

“Showing small children these God-awful, loud, gas-burning cars in Tomorrowla­nd — it tells them that burning gasoline is OK,” Scott said. “Going forward, we cannot have that. Those children need to grow up telling their parents to get an electric car.”

“They have a huge megaphone and can set a good example or a dangerous example,” Dubin added.

One of the regulatory agencies that Dubin and Scott contacted, the California Air Resources Board, declined to comment for this story. A spokespers­on for the other agency, the South Coast Air Quality Management District, told me Disneyland “is considered private property, and attraction goers are not obligated to remain near the ride; therefore, this would not be considered a public nuisance in the same way that we evaluate emissions impacting local children at schools or nearby residents in their homes.”

As for Disney employees, the spokespers­on told me in an email that a different government agency “has jurisdicti­on over worker safety and would be the agency responsibl­e to investigat­e the job conditions of those who work the ride.”

Within the next few years, those health questions should be moot. For now, though, they’re alive and well.

A few minutes after talking with Dubin and Scott, I scanned my Disneyland pass and sauntered over to Autopia. I hadn’t ridden the attraction in years, and I’d forgotten how disgusting it smells. Even waiting in line, I found breathing could be uncomforta­ble.

I knew the drive wouldn’t be much fun — not for an adult who has already spent too much of my life stuck on clogged freeways and pressing my foot to the gas. Not to mention that the steering is clunky and the speed limit a measly 6.5 mph.

The worst part was the end, waiting behind a line of cars to exit. It felt like sitting in traffic on the 405 with the windows open.

When I finally got out, I asked the nearest cast member — Disney parlance for “employee” — how she stands the stench.

“You just get used to it,” she told me blandly.

Thank goodness future cast members won’t have to get used to it anymore. Thank goodness electrific­ation is coming.

Seriously, this is an emergency: Cars, trucks and other modes of transporta­tion are America’s biggest source of heat-trapping pollution. They also belch tiny, invisible particles that can make living too close to freeways deadly.

Now when Disney trumpets its climate commitment­s — which include the admirable goal of net-zero planet-warming carbon emissions at the Disneyland Resort by 2030 — the company won’t be underminin­g itself by teaching kids and their parents that pumping oil into a tank is the way of tomorrow.

To be clear, Disney should have converted Autopia to electric years ago. The ride’s 2016 overhaul would have been the perfect time.

Still, the company’s announceme­nt is a huge victory. And hopefully there’s more to come for Tomorrowla­nd.

Disney fans agree that this section of the park badly needs change. It’s been a quarter-century since the land’s last big overhaul. There are a few great attraction­s, Space Mountain and Star Tours in particular. But the overall feel is stale and disjointed. There’s no cohesive vision, no deeper magic. The storytelli­ng is sorely lacking. There’s loads of wasted space.

Disney executives should let sustainabi­lity ride to the rescue, with a buzz of optimism and futuristic energy.

Electric vehicles at Autopia are the obvious starting point. Solar-panel shade structures over the line would be great too.

Next, how about using the former Innoventio­ns building, which once displayed futuristic technologi­es but is now closed to most guests, to showcase solar panels, lithium-ion batteries and other clean energy devices that guests might want in their homes?

Why not switch to electric cooking at the Alien Pizza Planet restaurant, and offer induction stove demos for diners?

Maybe start screening some National Geographic films (Disney owns NatGeo) at the largely unused Magic Eye Theater?

There’s all sorts of stuff Disney could do with public transit, too.

The Disneyland Railroad and the Monorail transit line — which ferries guests between Disneyland and the Downtown Disney shopping area — already run right past Autopia. Especially if Disney built a new ride for the old PeopleMove­r tracks, which also intersect with Autopia, the company could fill Tomorrowla­nd with the excitement of constant motion.

Add some infotainme­nt-style signs and voice-overs about the wonders of clean energy and public transit, and boom, you’ve got a Tomorrowla­nd that should leave kids and their parents excited to help build a safer, happier, more sustainabl­e world.

Maybe that sounds absurdly idealistic and totally outside the realm of possibilit­y for Disneyland.

Then again, tell that to Bob Gurr. It’s his vision for Tomorrowla­nd, too.

He was a Disney Imagineer for decades, helping design classic rides such as the Haunted Mansion and the Matterhorn Bobsleds. He told me that if he could, he’d tear out everything in Tomorrowla­nd except the Monorail and rebuild it as a version of the public transit-oriented futuristic city that Walt once planned for Florida — only with clean energy at the core of its storytelli­ng.

Barring such a massive shift, Gurr thinks guests would enjoy a Tomorrowla­nd with brighter colors and more kinetic energy, where they could “hear these whirring sounds like little tiny jets and turbines all over the place.” At the very least, he said it’s time for an Autopia where guests “don’t smell the fumes, don’t hear that racket of the little motor going putt-putt-putt.”

“I’d love to have really sexysoundi­ng electric cars,” Gurr told me.

Would some potential visitors be offended by a Tomorrowla­nd that’s all about sustainabi­lity? Sure. For people who consider climate change a hoax or solar power a scam, the idea of Tomorrowla­nd as a clean energy hub might be reason to visit another theme park. (Or not. It’s hard to say no to Disney.)

But some folks were offended when Disney shut down Splash Mountain because of the racist film that inspired the popular ride, and made plans to replace it with an attraction based on the company’s first Black princess. Disney moved ahead despite their protests. The company also opposed Florida’s “Don’t Say Gay” law after many employees spoke up against it.

There’s no reason Disney executives couldn’t do the same here, accepting that some critics would gripe about sustainabi­lity at Tomorrowla­nd but knowing that far more fans would absolutely love it — and that the move would probably win Disney some new fans, too.

And by the way, this isn’t a newfangled vision for Tomorrowla­nd.

In its early years, Walt used Tomorrowla­nd to sell guests on technologi­es poised to change the world — for better or, ultimately, for worse. The House of the Future attraction, sponsored by Monsanto, ran from 1957 until 1967 and was basically a glorified advertisem­ent for plastics. In a more positive example, Tomorrowla­nd once featured a gorgeous energy-themed mural, designed by legendary Disney Imagineer Mary Blair, that spotlighte­d solar and wind power, long before their time.

The land was also home to the General Electric Carousel of Progress, which made the case that electric appliances could make life at home easier and more comfortabl­e and thus deliver a “great big beautiful tomorrow,” to quote the ride’s iconic song.

In a grand coincidenc­e, the Carousel of Progress was also decades ahead of its time. Today we absolutely need more electricit­y in our lives — not just electric cars but also heat pumps and induction stoves, to replace gas appliances that fuel climate change.

And not that it’s my job to make money for Disney, but I’m sure the company could find sponsors for this vision of Tomorrowla­nd. There are plenty of renewable energy companies, electric utilities and environmen­tal groups eager to tout their causes and their credential­s.

There are other reasons this is the right moment for Disney to revamp Tomorrowla­nd.

The company says it will invest $60 billion in its parks, resorts and cruises over the next decade, as they’ve become reliable moneymaker­s amid continued losses on the streaming side of the business. This week, meanwhile, Chief Executive Bob Iger and his allies on the Disney board are expected to defeat a challenge from billionair­e investor Nelson Peltz, who has teamed up with former Marvel Entertainm­ent head honcho Ike Perlmutter to try to undermine Iger’s leadership.

That should give Iger relatively free rein to do whatever he wants through the end of 2026, when his contract expires.

And the longtime Disney CEO has made clear, in the past, that he wants to do something about the climate crisis.

When then-President Donald Trump withdrew the U.S. from the Paris climate accords, Iger resigned from a White House advisory council in protest. A few years later, Iger said he was “particular­ly proud” of the company’s new solar field in Florida, writing that it could “generate enough clean energy to power two of the four theme parks at Walt Disney World.”

But as valuable as it is that

Iger and his lieutenant­s have pursued traditiona­l corporate social responsibi­lity initiative­s — cutting emissions, preserving forests, reducing water use — Disney could do even more through its storytelli­ng.

Even Iger has acknowledg­ed as much.

Iger has said that for Disney, entertainm­ent must come before messaging — and I think he’s right. But I was pleasantly surprised to find a 2010 video interview in which he made the case that the company has a “unique opportunit­y” to reach millions of young people and “teach them of the importance of behaving in a more responsibl­e way from an environmen­tal perspectiv­e.”

Again — it starts with Autopia, but it’s bigger than Autopia. Bigger than Tomorrowla­nd, even.

As I’ve written previously, there’s a movement in Hollywood to encourage production of movies, TV shows and other stories that reflect the world as it actually exists — which is to say, a world that’s getting hotter, but that we still have the power to save. Not every story needs to be about climate change or clean energy. But more stories should at least acknowledg­e their presence.

If Disney could commit to that way of thinking, even on the margins, the implicatio­ns could be huge.

If the world’s most influentia­l storytelle­rs could sprinkle a little bit of pixie dust on the greatest challenge humankind has ever faced, they could go a long way toward helping us turn despair into hope.

“To all who come to this happy place: welcome,” Walt Disney said on the day his first park opened. “Disneyland is your land. Here age relives fond memories of the past, and here youth may savor the challenge and promise of the future.”

Today, the promise of the future is riding on clean energy. It’s riding on climate action.

So let’s charge our electric cars, take a few deep breaths free of smog, and start building a better Tomorrowla­nd.

 ?? Allen J. Schaben/Los Angeles Times ?? The Monorail runs through Tomorrowla­nd, right past Autopia, where gas cars are on their way out.
Allen J. Schaben/Los Angeles Times The Monorail runs through Tomorrowla­nd, right past Autopia, where gas cars are on their way out.

Newspapers in English

Newspapers from United States