Houston Chronicle

Show costumer up to task of dress with 50 buttons

- By Don Maines

As designer for wigs and costumes for Pearl Theater’s Civil War-era show “Little Women: The Musical,” Lynne Fredrichse­n knows she has a crucial role in the production.

The stakes are high — “If you don’t have good costumes in a play that’s set during the Civil War, the magic isn’t there,” said Kathleen Hart, who portrays Marmee in the production through March 20. “It distracts you from the storyline.

“She did a fantastic job,” Hart said. “She also does the laundry. Things get wrinkled; so she comes in before performanc­es and fluffs things up so that we look fabulous.”

Fredrichse­n, a Pearland resident, also works as coordinato­r of payroll and benefits for Theatre Under the Stars in Houston.

“I work in musical theater; so of course I think a musical version of ‘Little Women’ is a clever idea,” she said.

The show is based on the beloved classic by Louisa May Alcott. Like the semi auto biographic­al 1869 novel, the 2005 Broadway musical follows the adventures of Jo, who weaves the story of herself and her sisters and their experience­s growing up in Civil War America, said director Brennan Blankenshi­p.

“I enjoy the story and I’ve always been intrigued by 19th-century fashion,” Fredrichse­n said. “It is very feminine. I love the curves and the textures and colors of the fabrics.”

Hart said that her favorite costume is “a traveling dress” that Marmie wears before boarding a train headed from her home in Concord, Massachuse­tts, to Washington, D.C., to care for her husband, a UnionArmy chaplain who gets injured.

“It’s made to look like 50 buttons down the front, but clever Lynne, she puts snaps behind them so I wouldn’t have to spend 20 minutes buttoning andunbutto­ning,” said Hart.

Fredrichse­n handsewed some of the costumes but borrowedot­hers from area theaters.

Sarah Berggren of Friendswoo­d, who plays Meg, wears a silk skirt Lynne obtained from the Alley Theatre in Houston after it was worn by the character of Cecily, the “country girl,” in a production of Oscar Wilde’s ”The Importance of Being Earnest.”

“Lynne also put me in a really long red, curly wig,” said Berggren. “When I put it on, it’s the final detail and changes theway I look. I wear a hoop skirt, then I pull the dress over my wig and gown before I secure the front. I step into it, and I button it and close it.”

Fredrichse­n graduated from Dobie High School in Pasadena in 1982, where she was the features editor for the school newspaper.

She spent five years at the University of Texas, mostly toiling in the theater department’s costume shop once it was learned that her grandmothe­r had taught her to sew when Fredrichse­n was young.

At TUTS, Fredrichse­n first put her wardrobe talents to use in amusical version of the 1959 movie classic “Some Like it Hot.”

A highlight of her career was doing hair for actress Holland Taylor in the preBroadwa­y tour of “Ann,” a biography of former Texas Gov. Ann Richards.

 ?? Pin Lim / For the Chronicle ?? Lynne Fredrichse­n created or borrowed costumes and wigs for the cast of “Little Women: The Musical” at Pearl Theater.
Pin Lim / For the Chronicle Lynne Fredrichse­n created or borrowed costumes and wigs for the cast of “Little Women: The Musical” at Pearl Theater.
 ?? Pin Lim / For the Chronicle ?? Lynne Fredrichse­n, costume designer for “Little Women: The Musical,” appreciate­s the femininity of women’s clothing from the 19th century.
Pin Lim / For the Chronicle Lynne Fredrichse­n, costume designer for “Little Women: The Musical,” appreciate­s the femininity of women’s clothing from the 19th century.

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