A CELEBRATION ON THE DANCE FLOOR
Deborah Cox is usually referred to as a “Canadian R&B diva” or a seasoned theater performer in most reviews and profiles. And her résumé includes the huge 1998 hit “Nobody’s Supposed to Be Here” and star turns in musicals “The Bodyguard,” “Aida” and “Jekyll & Hyde.”
But Cox’s biggest successes have been on the dance floor.
She’s earned 13 No. 1 singles on Billboard’s Dance Club chart over the past two decades, including last year’s “Let the World Be Ours Tonight.” Songs like “Absolutely Not” and “Things Just Ain’t the Same” have become dance floor classics, built on thundering production and soaring vocals.
Cox brings the glitterball sparkle Friday during the ninth annual Rainbow on the Green, a familyfriendly event celebrating the city’s LGBT community. In advance of the appearance, she took time to for an email exchange about the importance of Pride events and her clubland legacy.
Q: “Nobody’s Supposed to Be Here” is celebrating 20 years since its release. How has the song’s meaning changed over the years?
A: I can’t believe it! The time went so quickly! Over the years, the demand for this song has not slowed down. The stories of how the song has changed lives continues. I still get excited about performing the song. It really has a special place in my heart.
Q: For much of the gay community, the remixes have become the definitive versions of your songs. Are you surprised how much of a unique path they’ve created for you?
A: The remixes really have a life of their own. I’ve always made it a priority to release the dance versions because I believe each version, in itself, has its own identity. They have created another lane for me in this industry that really seems to work and resonate with and within the gay community. Dance music, for
the most part, is not usually associated with deep, emotional topics. I think my remixes captured a lot of soul in the performances.
Q: Is there a certain remix that stands out to you as especially fierce/fun/memorable?
A: “Absolutely Not” really surprised me. It became this real anthem in the community, and I love that. It has messages of self-love, acceptance and of being unapologetically unique. I also love “Easy As Life” (from “Aida”). It’s reminiscent of the Broadway version, but the beat and chorus make it so dramatic and anthemic. “Mr Lonely” and “It’s Over Now” are also requested a lot.
Q: What’s a song that can get you out on the dance floor for a twirl?
A: For me, “I’m Every Woman” gets me up every time. I also love anything by Donna Summer.
Q: You’re a favorite at Pride events around the world. What’s special about them for you? They seem more important now than ever.
A: Yes, they are. There are far too many people who don’t understand the severity of the continued fight for LGBTQ rights and equality. Yes, there have been some gains, but now they are under threat and are being rolled back. I feel that I have an obliga-
tion to continue using my platform to educate and support.
Q: What do you think it is about gay audiences that connects so deeply and loyally with powerful women’s voices?
A: I believe it’s the song’s meaning that makes the connection at first. I also believe that when you sing as passionately as I do, it’s hard not to be in your feelings. ’Cause I’m all into it.
Q: What was the first album you ever bought with your own money?
A: It was Whitney’s first album.
Q: First concert ever attended?
A: Prince! I waited in line for hours for tickets! That was the first and only time.
Q: You’ve worked with some legendary divas. What’s something you learned from your friendship with Whitney Houston?
A: I’ve learned to keep making my family a priority.
Q: What about your time as a backup singer for Celine Dion?
A: I have learned to be fiercely disciplined about my voice. She wouldn’t speak for hours before shows.
Q: You’ve done Broadway, jazz, R&B, dance and even some acting. What’s something you’ve yet to tackle that you’d like to try next?
A: I’d love to dabble in opera.