Houston Chronicle

THE POWER OF THE RHYTHM

- BY LAWRENCE ELIZABETH KNOX | CORRESPOND­ENT Lawrence Elizabeth Knox is a Houston-based writer.

Music is an inclusive art form with transforma­tive power.

These words could ring no truer than they will at White Oak Music Hall on Thursday, when 16 ReelMusici­ans, or artists living with disabiliti­es in their early 20s to mid-60s, will have a chance to perform onstage alongside a house band featuring four of the city’s top musicians — Kelly Dean, Andrew Lienhard, David Craig and Daleton Lee.

ReelMusic, a night of musical entertainm­ent that will be emceed by Houston Public Media’s Ernie Manouse, wraps up the seventh annual ReelAbilit­ies Houston Film & Arts Festival, a 10-day program presented by Jewish Family Service in collaborat­ion with the Mayor’s Office for People with Disabiliti­es.

“I like to say that we are all about the five e’s,” said Dee Dee Dochen, chair of ReelMusic and co-chair of the entire festival. “Our mission is to educate, enlighten, erase stigmas associated with disabiliti­es, pave pathways to employment and, of course,

entertain.”

Quite a few of the ReelMusici­ans were introduced to this opportunit­y through TIRR Memorial Hermann, a rehabilita­tion and research hospital. Yet many of them already had a musical background.

Ron Ryans, who lost the use of one of his arms following a stroke, is a longtime music teacher and Eman Gilligan, who was left a paraplegic after being shot during a robbery, is a guitarist in his family’s band, The Sundogs.

Another performer to return to the stage made his debut last year in the final, show-stopping moments of the evening, Dochen said. From his wheelchair, Luis Cortez, a now-27-year-old man with cerebral palsy, created much movement, joyfully flailing his arms and activating his canstrumen­t, a motionbase­d instrument that uses an iOS device to translate musical expression.

As the house band joined in the surroundin­g spirit rose and any difference­s were brushed aside. In fact, they were celebrated.

“When we don’t hold back in music,” Dochen said, “we forget about the things that hold us back.”

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