Houston Chronicle

‘ARMSTRONG’ EXAMINES MAN BEHIND MOON LANDING

- BY KENNETH TURAN | LOS ANGELES TIMES

With the 50th anniversar­y of man’s first steps on the moon just days away, movies dealing with the event have been thick on the land for awhile. But even if you think you’ve seen enough, “Armstrong” is worth your time.

It’s not that the other theatrical films, which include last year’s Ryan Gosling-starring “First Man” and the more recent, visually arresting documentar­y “Apollo 11,” have been lacking in quality.

Rather it’s that this latest doc, directed by David Fairhead, does something those others don’t. It enables audiences to get a sense of what the real Neil Armstrong was like.

To do so, the filmmakers have gotten the cooperatio­n of the people who were closest to him: his sister June, his sons Mark and Rick, and his first wife, Janet, who died last year at age 84.

Not that Armstrong himself was verbally demonstrat­ive, far from it. “He was not the most verbose person you ever met,” says son Mark, with Janet pithily adding, thinking back, “He didn’t like to talk about much and he

never did talk about much.”

So even though the filmmakers have enlisted Harrison Ford, something of a pilot himself, to provide a voice-over reading of Armstrong’s words, it’s the thoughts of others as well as his actions that reveal the man most.

Often looking both ordinary and uncomforta­ble in interviews, Armstrong seemed to absorb his four-square, work hard and keep your nose clean

character from his surroundin­gs growing up in tiny Wapakoneta, Ohio.

Starting as a child delighted to get a 20-cent model airplane, Armstrong always had flying on his mind, to the point of getting his pilot’s license before he got his driver’s license.

One of the things that set Armstrong apart as a pilot, even as early as his stint flying in the Korean War, was an almost preternatu­ral unflappabi­lity, a coolness under pressure that became legendary.

Shot down in the war and forced to parachute out of his jet, Armstrong used what his superiors called “exceptiona­l skill and decision making” in maneuverin­g out of danger while floating in the air.

After a postwar graduation from Purdue, Armstrong naturally gravitated to Edwards Air Force Base in the California deserts, where all the newest planes were tested and where his aeronautic­al engineerin­g degree gave him an advantage.

The death of his young daughter gave Armstrong an impetus for change, and in 1962 he joined NASA’s astronaut program in Houston, one of only two civilian pilots accepted.

Armstrong is best known as the first man to set foot on the moon, but Chris Kraft, a key NASA official, says he was instrument­al in selecting Armstrong over Buzz Aldrin (who is not interviewe­d) because of personal qualities that would make him better able to cope with the post-landing madness.

And, in truth, the celebrity Armstrong faced on his return dwarfed everyone’s expectatio­ns and was a factor in his eventual divorce.

The emphasis of “Armstrong” is to demonstrat­e that while its subject was not superhuman, he did have exactly the gifts and character the task demanded.

NEIL ARMSTRONG WAS COOL UNDER PRESSURE.

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