Imperial Valley Press

What makes mosaics so special?

“A journey of a thousand miles begins with a single step.” — Lao Tzu, 450 B.C.

- BY DAN EVERS For more informatio­n, contact dan@rainforest­artproject.org

There is something very personal and intimate about with mosaic. Nerves are always on edge as the first small tesserae (individual mosaic tiles) are set into place when beginning a large mosaic, but it doesn’t take long before you become fully immersed, and the project takes on a life of its own.

Mosaic artists often describe this as their Zen moment, where there is just no question as to the strong relationsh­ip between creative expression and personal well-being.

The larger Rainforest Art Project creations feature over 30,000 individual tesserae, meticulous­ly shaped and adhered using many of the same tools and techniques which have been employed by mosaic artists for thousands of years.

You just can’t help but to feel a kinship across the millennia with these ancient artisans, whose enduring works clearly reveal their passion for this remarkable craft.

The first known examples of mosaics made of different materials were found at a temple building in Abra, Mesopotami­a. They date back over 5,000 years and were crafted from colored stones, shells and ivory.

The art form grew throughout North African and Asia, and gained a new level of sophistica­tion with the refinement of the Greeks around the fourth century B.C.

Perhaps the most celebrated mosaic of all time is The Battle of Issus in 330 B.C., which commemorat­es the victory of Alexander the Great over Persian King Darius III.

This spectacula­r floor mosaic (or pavement) features nearly 2 million tesserae, and was commission­ed around the second century B.C. for the House of Faun in Pompeii.

It was subsequent­ly buried in ash during the eruption of Mount Vesuvius in 79 A.D., and was revealed to an astonished world in the 19th century when it was excavated by a team of German archeologi­sts.

The Greeks and Romans introduced glass tesserae (or smalti) to the art form with an unlimited spectrum of color, and a whole new array of technique and style.

This vastly expanded and refined the art of mosaic making, and to this day the vernacular of the mosaicist is in Latin.

In 320 A.D., Roman Emperor Constantin­e put an end to the persecutio­n of Christians, and ushering in the era of great religious works of art.

These were the glory years for mosaic, as great cathedrals and churches were establishe­d throughout the Roman Empire.

Although traditiona­l mosaic techniques remain with us to this day, it is the brilliant innovation of architect Antoni Gaudi who stunned the world with radical projects such as Park Guell and the Sagrada Familia Basilica (Begun in 1882, and expected to be completed within the next 10 years) in Barcelona, Spain.

Inspired by designs within nature, Gaudi relied heavily on organic, flowing sculptural mosaic to fulfill his revolution­ary new vision.

Gaudi appears to be a strong influence in the phenomenal career of Niki de Saint Phalle, who’s courageous and emotionall­y complex creations are seen in parks around the world.

One of her last major works was Queen Califia’s Magic Circle, which is located in Escondido, about 20 miles north of San Diego.

Mosaics of Mexico

One of the most fascinatin­g things about the story of mosaic throughout human history is the fact that it has evolved independen­tly within cultures completely isolated from one another.

Mosaic art was highly valued by ancient Americans, and as with Europe, Asia and Africa, they commonly adorned luxury items designed to glorify the supreme power of the gods.

The Aztecs, Mayans and Toltecs were known to create luxurious mosaic objects, combining such things as turquoise, obsidian, mother of pearl, coral, and even gold.

In 1949, the Perdomo family of Cuernavaca became the first ones in the Americas to bring the ancient glassmakin­g technology from Venice, and began producing splendid mosaic murals.

They remain the only major producers of mosaic glass tile (smalti) in the Americas, and working with pioneering Mexican artists, their bold original mosaic murals have brought them recognitio­n from around the world.

At the Rainforest Art Project, we enjoy telling the history of mosaic because in so many ways it is the enduring reflection of civilizati­on and humanity itself.

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 ??  ?? BOTTOM: Queen Califia’s Magic Circle, by Niki de Saint Phalle. COURTESY PHOTOS
BOTTOM: Queen Califia’s Magic Circle, by Niki de Saint Phalle. COURTESY PHOTOS
 ??  ?? Found by the Spanish during the conquest of the Aztecs in 1519 A.D. The famous “Two Headed Serpent” now resides in the British Museum in London, and is truly extraordin­ary in its design and craftsmans­hip.
Found by the Spanish during the conquest of the Aztecs in 1519 A.D. The famous “Two Headed Serpent” now resides in the British Museum in London, and is truly extraordin­ary in its design and craftsmans­hip.
 ??  ?? LEFT: Dragon at Park Guell in Barcelona by Antoine Gaudi.
LEFT: Dragon at Park Guell in Barcelona by Antoine Gaudi.
 ??  ?? ABOVE LEFT: Alexander the Great, detail of the Alexander Mosaic, circa 100 B.C, now preserved in the Naples National Archaeolog­ical Museum.
ABOVE RIGHT: Apse mosaic in basilica of San Vitale, Ravenna, Italy. Built 547. A.D.
ABOVE LEFT: Alexander the Great, detail of the Alexander Mosaic, circa 100 B.C, now preserved in the Naples National Archaeolog­ical Museum. ABOVE RIGHT: Apse mosaic in basilica of San Vitale, Ravenna, Italy. Built 547. A.D.
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