Imperial Valley Press

Spanish museum, California in court over disputed Nazi art

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LOS ANGELES (AP) — Seventy-nine years ago, a Jewish woman named Lilly Cassirer surrendere­d her family’s priceless Camille Pissarro painting to the Nazis in exchange for safe passage out of Nazi Germany during the Holocaust.

On Tuesday her great-grandson was in a U.S. courtroom for the latest round of what has been a nearly 20-year battle to get it back.

After years of appeals by both Lilly Cassirer’s descendant­s and Spain’s Thyssen-Bornemisza museum, where the painting has hung for 25 years, U.S. District Judge John F. Walter heard testimony from both sides during a trial to decide its rightful owner.

The Madrid museum has argued that Cassirer forfeited her ownership rights when she accepted $13,000 from Germany in 1958, after the German government concluded the painting was lost forever. The museum also has argued that it acquired the work in good faith and has never tried to hide it.

After testimony ended, Walter offered both lead attorneys the opportunit­y for closing arguments, but they declined. Walter gave them until Feb. 10 to submit post-trial motions. The judge’s ruling isn’t expected until the spring.

Cassirer’s attorney, David Boies, grilled defense witnesses while seeking to show that the museum should have known it was looted art.

Boies asked the museum’s legal and research team why they overlooked signs that indicated the provenance was questionab­le.

One of the museum’s experts, Lynn Nicholas, said she couldn’t say if Baron Hans-Heinrich Thyssen-Bornemisza even looked at the back of the painting to study the provenance when he acquired it in 1976.

Nicholas said she couldn’t explain why cardboard covering various labels showing provenance had been attached to the back of the artwork.

One of those labels showed it had belonged to a Berlin gallery owned by the Cassirer family.

“There’s no dispute about the painting’s complete history. The court examined all the evidence and determined that the museum is the rightful owner,” Thyssen-Bornemisza’s U.S. attorney, Thaddeus J. Stauber, told The Associated Press in 2016 after Walter initially dismissed the case.

The Cassirer family successful­ly appealed last year, and their lawsuit was returned to Walter for trial.

Boies, the family’s attorney, says the matter now boils down to Spain doing what’s right and surrenderi­ng the painting.

“It’s unusual for a modern liberal democracy to be trying to hold onto Nazi-looted art,” he said Monday as he prepared for trial. “Every other civilized country in the world is committed to returning Nazi-looted art to the rightful owners.”

The painting, “Rue St.-Honore, Apres-Midi, Effet de Pluie” has been valued at $30 million or more.

Pissarro created the stunning oil-on-canvas work of a rainy Paris street scene from what he saw out the window of a hotel room in 1897. Its title translates to English as “Rue Saint-Honoré in the Afternoon, Effect of Rain.”

Lilly Cassirer’s fatherin-law bought it directly from Pissarro’s art dealer and left it to her and her husband when he died.

 ?? AP Photo/MArIANA elIANo ?? This 2005 file photo shows an unidentifi­ed visitor viewing the Impression­ist painting called “Rue St.-Honore, Apres-Midi, Effet de Pluie” painted in 1897 by Camille Pissarro, on display in the Thyssen-Bornemisza Museum in Madrid.
AP Photo/MArIANA elIANo This 2005 file photo shows an unidentifi­ed visitor viewing the Impression­ist painting called “Rue St.-Honore, Apres-Midi, Effet de Pluie” painted in 1897 by Camille Pissarro, on display in the Thyssen-Bornemisza Museum in Madrid.

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