Imperial Valley Press

After a long slumber, U.S. cinemas awaken on a pivotal weekend

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STAMFORD, Conn. (AP) — With the previews about to start, a trickle of masked moviegoers made their way into one of the first U. S. screenings of “Tenet” at the Bow Tie Majestic 6 in downtown Stamford, Connecticu­t. They took their seats Tuesday night, eyeing the empty seats between each other and a little giddy at being back at the movies for the first time in many months.

Philip Scarante and Andy Flores, both 25, went every Tuesday religiousl­y before theaters closed in March. “It’s just our thing,” Scarante said. Seeing Nolan’s latest mind-bending spectacle later on a smaller screen held no appeal. They sat down in center seats, up close.

“Everyone seems to have a mask on,” Scarante noted, looking around in the sparsely populated theater. “I didn’t expect that many people to show up.”

More Americans will make their way back to the movies this weekend than any since the pandemic shuttered theaters in March. After a few weeks of catalog films and minor releases, the $200 million

“Tenet” is the first must-see main event of the pandemic, a mega-movie litmus test for how ready U.S. moviegoers are to return to cinemas. At the same time, another $200 million movie, the Walt Disney Co.’s live-action “Mulan” remake is debuting not in theaters, as it originally intended to back in March, but on the streaming service Disney+. In an innovative, untested release, “Mulan” will be available for $30 only to Disney+ subscriber­s Friday.

Each movie could chart a new way forward for Hollywood in the COVID-19 era, and potentiall­y beyond. “Tenet,” w hich grossed a hefty $53.6 million in 41 internatio­nal territorie­s last weekend, could prove that blockbuste­r moviegoing can be resuscitat­ed with half-capacity theaters and safety protocols -- or that people aren’t ready to sit in the dark with strangers. “Mulan” could open up a new premium on-demand window to the largest film franchises -- or prove that big-time box office (“Mulan” had been projected to make around $750 million in theaters) can’t be repli

cated in the home.

Labor Day weekend, usually among the sleepiest days of the year in theaters, has turned into a dramatic showdown with maybe the fate of the industry at stake, as two high-priced experiment­s test the possibilit­ies of a new reality.

“The world we’re in right now, the concept of releasing the film absolutely everywhere for everyone to go and see on the same weekend, clearly that’s absolutely not an option for the foreseeabl­e future,” said Nolan in an interview. “So if that pushes the industry into different ways of thinking and some of them being older distributi­on models, that hopefully can work.”

Warner Bros. is rolling out “Tenet” where they can. After debuting in Europe, Canada and Korea last weekend, “Tenet” on Thursday lands in the 75% open U.S. theaters, along with cinemas in China on Friday. Some states, like New York, have kept theaters closed, though more are coming online just in time for “Tenet.” New Jersey and some California cinemas are to reopen Friday.

 ?? Jasin Boland/Disney via AP (left) and Melinda Sue Gordon/Warner Bros. Entertainm­ent via AP ?? This combinatio­n shows Yifei Liu in the title role of “Mulan,” (left) and John David Washington in a scene from “Tenet.” On Thursday, Christophe­r Nolan’s “Tenet” will arrive in U.S. theaters, the first big movie to head to cinemas since the pandemic began.
Jasin Boland/Disney via AP (left) and Melinda Sue Gordon/Warner Bros. Entertainm­ent via AP This combinatio­n shows Yifei Liu in the title role of “Mulan,” (left) and John David Washington in a scene from “Tenet.” On Thursday, Christophe­r Nolan’s “Tenet” will arrive in U.S. theaters, the first big movie to head to cinemas since the pandemic began.

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