Inland Valley Daily Bulletin

Car worship in reverse

Instead of spit and polish, iconic models get crud and corrosion

- By Richard Guzman

riguzman@scng.com

Whether looking at a collection of cool muscle cars, futuristic prototypes, electric rides or even antique historical machines, car enthusiast­s are used to seeing shiny vehicles in pristine condition on display at the Petersen Automotive Museum in Los Angeles.

However, the museum’s latest exhibition is showcasing the effects of time and environmen­tal elements on vehicles through sculpted pieces constructe­d, or deconstruc­ted, by artist Daniel Arsham.

“For us, all of these cars are kind of cast in time and slowly decaying,” said Michael Bodell, chief operating officer of the museum, as he stood inside the new exhibition, dubbed “Arsham Auto Motive,” a few days before it opened to the public Saturday.

“And in museums you’re typically trying to preserve objects, but this is different,” he continued. “It’s celebratin­g that these objects are eroding and decaying.”

Running through Nov. 26, the exhibition, located in the museum’s first-floor Armand Hammer Foundation Gallery, features about a dozen pieces created by Arsham,

Crystals and minerals fill this hole in the body of a classic Mustang.

a New York-based interdisci­plinary artist whose work has been displayed in The Museum of Contempora­ry Art in Miami, The Athens Biennale in Greece, The New Museum in New York and others.

His exhibition at the Petersen features vehicles like a 1968 Ford Mustang GT Fastback, a 1975 Porsche 911 and a 1961 Ferrari 250 GT California plus other sculptural items. Using materials like selenite crystals, quartz, pyrite and plaster, Arsham turned these collector vehicles into decomposed-looking machines, creating the appearance of an apocalypti­c parking lot inside the museum.

One of the most stunning pieces is the 1968 Mustang, the same model featured in the 1968 Steve Mcqueen film “Bullitt.”

Pieces of the exterior and interior of the matte gray Mustang have been scooped out by the artist, and in those spaces he embedded chunks of crystals along with quartz and pyrite to give the appearance of an organic growth of sorts on a long-abandoned and perhaps recently unearthed car. ‘ARSHAM AUTO MOTIVE’

When:

10 a.m.-5 p.m. daily through Nov. 26

Petersen Automotive Museum, 6060 Wilshire Blvd., Los Angeles

$19.95 for adults, $17.95 for those 62 or older, $12.95 for ages 12-17, $10.95 for ages 4-11. Vault tours are an additional $25 (age 12+) or $10 (ages 4-11). Children under 4 are not permitted on vault tours.

Where:

Tickets:

Informatio­n:

323-9302277, petersen.org

“The crystals are kind of a unique way to show that deconstruc­tion,” Bodell said. “It’s an organic shape. Cars are nonorganic objects and it brings an organic element into the object.”

Accompanyi­ng this piece is a three-dimensiona­l sculptural re-creation of a movie poster for the film, which sports the same crystals embedded into holes and cracks of the vehicle.

Arsham has also inserted the crystals and minerals into various places on the Porsche 911 and the Ferrari, except these cars are completely covered in a white, plasterlik­e material, adding a dramatic and almost ghostly feel.

 ?? PHOTOS BY HANS GUTKNECHT — STAFF PHOTOGRAPH­ER ?? Rather than staving off decay, Petersen Automotive Museum’s newest exhibition embraces it through the use of plaster, crystals and other materials.
PHOTOS BY HANS GUTKNECHT — STAFF PHOTOGRAPH­ER Rather than staving off decay, Petersen Automotive Museum’s newest exhibition embraces it through the use of plaster, crystals and other materials.
 ?? ??

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