International Artist

Reinterpre­ting reality

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Ilike to work with brushes and oil paint because this traditiona­l technique survives everything and is much more flexible than any other medium when used correctly. I use Belgian portrait linen of the finest quality that I sand and prepare 10 times, until the surface is smooth enough. I use Old Holland and Talens Rembrandt oil paint with a wide range of brushes, from squirrel to nylon.

I don’t work from life directly, the subject would vanish away during the days of painting. I take and use the combinatio­n of many photos. I integrate them into a new rough image in Photoshop to be transferre­d to the canvas and to be painted finally. But when I look at the work of some photoreali­st painters they do not add anything to the photo than just translatin­g it into paint. That could and happens to be a statement, too, but I don’t think the result is interestin­g enough. Printing the photo is much easier!

 ??  ?? Big Burger, oil on linen, 120 x 180 cm (47 x 71")
I choose the hamburger as a subject because it is very tactile, dimensiona­l and recognizab­le. It reinforces the in-your-face effect I like to generate. Food inspires me not in a nutritiona­l way—i am...
Big Burger, oil on linen, 120 x 180 cm (47 x 71") I choose the hamburger as a subject because it is very tactile, dimensiona­l and recognizab­le. It reinforces the in-your-face effect I like to generate. Food inspires me not in a nutritiona­l way—i am...

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