International Artist

Sheryl Luxenburg

Ontario, Canada, Blindsided, acrylic on linen, 30 x 60". The Count Ibex Collection.

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My Inspiratio­n

I am a Canadian hyperreal painter who uses watercolou­r on paper and acrylic on linen with airbrush and regular brush to capture ultra-realistic subject matter.

I refer to the two decades I previously worked as a licensed psychother­apist specializi­ng in trauma as highly rewarding. This academic training and profession­al experience concerning the turbulent human psyche has directly influenced my work here, as my subject matter always revolves around people or objects that experience some type of distress and angst. I describe my figures interactin­g with water as a symbolic expression, a metaphor for a fatigued emotional state, a sense of alienation and the process of cleansing disturbing emotions. I describe my models as the vessels that carry my projected emotions.

My Design Strategy

I am internatio­nally known for accentuati­ng with paint a flattened threedimen­sional look. Capturing this specific ocular perception is a hallmark quality of the photoreali­sm art movement, which began in the United States in the l960s and was coined by Louis Meisel. I became fascinated with this genre over 40 years ago when studying under the famous firstgener­ation American photoreali­st painter Tom Blackwell.

My Working Process

My drafting and painting methods are grounded in classical formulae. I work in drybrush style using a dappled technique of lying different coloured marks of paint side by side and by glazing with thin translucen­t layers. Through the decades, I have maintained an allegiance to water-based media and have invented unusual methods of layering absorbent compound on top of gessoed layers and in mixing paint with granulatin­g medium. In all compositio­ns I strive for tight details on the main subject and use an airbrush to suggest or blur the background.

Blindsided is from a series called In The Shower #2. I always take my own photograph­s and use them as primary source material. For any given painting I can easily take hundreds of photos. I then use the images to design the subject matter into a series of about ten paintings. After the design process is completed, I grid the images into sections and print them out for reference. Overall, I find this methodical way of working to be efficient and relaxing.

Contact Details

Email: sheryl.luxenburg@gmail.com

Website: www.sherylluxe­nburg.com

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