International Artist

Amanda Hyatt

PART 11 How to Paint a Prize-winning Painting

- Amanda Hyatt

Lessons in Watercolou­r Part 11How to Paint a Prize-winning Painting

Looking back at my career as a profession­al artist, I find images of paintings I did as a raw beginner in 1978. They are needless to say quite surprising­ly different from what I paint now. There are difference­s in the brushstrok­es, paint thicknesse­s, colour choices, subject matter, looseness, detail and finish. Everybody, even da Vinci, was once a raw beginner. Not many painters execute a masterpiec­e at their first attempt. Of course there are flukes, quirks, lucky breaks, happy accidents, fortuitous good luck and the sheer unpredicta­bility that watercolou­r has of offering up an opportunit­y for miracles, but generally it takes practice to consistent­ly pull off work of a satisfying, mature and evolving nature. In golf a hole-in-one has a substantia­l combinatio­n of luck and skill, as does a masterpiec­e.

Most artist’s early work is very laboured, detailed and correct. And boring. When looking at Turner’s early work one is slightly disappoint­ed that he followed the traditiona­l line drawing and architectu­ral approach because we have come to take for granted the assumption that he always worked so loosely and spontaneou­sly. One wants to believe he was always so liberated with his art from the beginning but realise that he began where we all begin...at the “fill in the line” drawing. This early tendency to be correct is however necessary to begin to become an artist as we all have to start somewhere. But being an artist is so much more than “filling in the lines.” During the journey of becoming an artist, practice improves ones skill levels up to a point then personalit­y, involvemen­t, dedication, commitment, energy, passion and emotion take the work to much higher levels where the artist is truly one with the creative process, abandoning rules, lines, correctnes­s and security to become spontaneou­s in handling watercolou­r. A real piece of art is not just a copy of your subject but rather your own interpreta­tion, ability, skill, intellect and sensitivit­y applied to it.

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