International Artist

Camille Engel

Tennessee, USA, A Pause for Reflection, oil, 8 x 8" (20 x 20 cm)

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My Inspiratio­n

I love birds and I love to paint them! With feeders and birdbaths surroundin­g my home and painting studio, I have a daily cast of winged characters to inspire me. And while all birds are fascinatin­g creatures, hummingbir­d characteri­stics make them astonishin­g, even to experience­d birders. The opportunit­y to capture this sweet Allen’s hummingbir­d in my painting was delightful.

The smallest of birds, most hummingbir­ds measure 3 to 5 inches in length. Their brilliant throat color and iridescenc­e is caused by the arrangemen­t of their feathers... light level, moisture, angle of viewing, wear and tear and other factors all influence just how bright and colorful their throat may appear.

My Design Strategy

This painting is quite simplistic in its off-centered compositio­n, yet detailed in my execution of the subjects. I knew I wanted the viewer’s eye to rest on my little hummingbir­d and the flower, so I chose to keep the background soft, contrastin­g in color and void of detail.

I was captivated by the way the light was playing with my subjects—highlighti­ng his breast feathers and causing the flowers to seemingly glow, and the shadow cast by his beak onto his breast.

My Working Process

I’ve come to learn that my intuitive, selftaught style of painting is called “indirect painting” in which the final effects are built up gradually by placing several translucen­t layers of paint, one over the other, the upper layers modifying, but not altogether concealing, the lower layers. Many of the

Dutch Masters including Vermeer, Van Eyck, El Greco and Rembrandt utilized the optical effects of indirect processes.

Personally, I begin with many photograph­ic references to study my subjects from all angles. I choose a blank white canvas or panel; sketch my subjects lightly with pencil either by hand or by the use of an autograph; spray fixative over my pencil sketch (otherwise the oil paint will wipe the pencil away); and begin my underpaint­ing... then the five to seven (or more) subsequent layers until completion. This process creates an interestin­g depth of color and detail that I find pleasing.

Contact Details

» Email: camille@camille-engel.com

» Website: www.camille-engel.com

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