International Artist

Richard Hutton

Ontario, Canada, Bear Pose, oil, 24 x 36" (61 x 91 cm)

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My Inspiratio­n

I’ve always been fascinated by animals, and wildlife in particular. I watch David Attenborou­gh’s many nature series with relish. And animals have always had a special place in my personal life. I respect their intelligen­ce, their special sensitivit­ies, and their unique consciousn­ess. In my paintings, I try to portray a sense of how an animal might be perceiving, thinking and feeling, to reflect or highlight what I see as that animal’s personalit­y. Having emigrated to Canada from the UK a few years ago, I am struck by the incredible variety of wildlife that abounds here, and in particular by the presence of large and powerful predators

My Design Strategy

I felt incredible respect for the assured strength and power of this amazing creature—his sheer size, let alone that stare of potential menace. I liked the simple solidity of the triangular shape sitting within a rectangula­r canvas. I wanted him to dominate the canvas, but with enough his surroundin­gs to show where he belongs, firmly on the earth. The sky, painted with broad strokes, gives a sense of the immense wilderness that is his home, as well as how open he is to all the elements. With a piercing stare, his eyes fix firmly on the viewer, from whom he demands respect, awe, and maybe even fear.

My Working Process

I don’t go through any set process. I like to take risks and to leave some things to chance. This is my creative process— between the deliberate intent and the unconsciou­s response. I began with big, broad sky strokes, drew in the form and features, then blocked in the main areas with an underpaint­ing, approximat­ing the colours and values of the “hidden” fur. The claws are also deliberate­ly prominent. The eyes are the first detail to be painted in, as this establishe­s the character of the animal and helps me to connect with and portray him. I like to balance abstract and detail, which is why this painting becomes more abstract as it moves away from the focus of the face and claws.

Contact Details

» Email: richardjhu­tton@hotmail.com

» Website: www.richardjam­eshutton.com

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