International Artist

Liuqing Ruth Yang

West Virginia, USA, Cydney with a Chinese Traditiona­l Garment Han Fu, oil on linen canvas, 16 x 14" (40 x 35 cm) Finalist

- Contact Details » Email: ruthyangar­tist@gmail.com » Website: www.liuqingrut­hyang.com

My Inspiratio­n

I am a portrait painter in oils, valuing the traditiona­l painting skills developed by European masters. My artworks are greatly informed by the master painters Raphael and Caravaggio, particular­ly their religious works, which are inspiratio­nal as a Christian. In this painting my inspiratio­n came from Old Master Johannes Vermeer’s Girl with a Pearl Earring. I am creating a new connection between history and contempora­ry art theory and melting Chinese culture with African-americans.

My Design Strategy

I researched contempora­ry painters examining and crossing cultures and painting methods such as Kehinde Wiley and Kurt

Kauper. My paintings are tied with traditiona­l painting techniques to explore Christian icons, symbolism and culturalis­m, but replace the historical landscape with contempora­ry components such as a pink makeup table and makeup products. I used Vermeer’s pose for the portrait but removed the Western clothes and jewelry—a reinterpre­tation of the beauty of culturalis­m. My model is a African-american girl who wears a Chinese traditiona­l garment, Hanfu, with China Ming Dynasty headgear and earrings.the reflection of the mirror creates a threedimen­sional space. I want my painting to torch our time and let the audience feel that artwork is immediate, shortening the distance between art and the viewer’s life.

My Working Process

I explore individual humanism and personal subjectivi­ty through multiple layering techniques for the underpaint­ing and colors. I focused on sensitivel­y describing the threedimen­sional space of the characters and their dynamic, vivid body language. This artwork employs a green background to make a strong, chiaroscur­o contrast to the hot pink color of my subjects. This was a very tedious, mentally and physically laborious painting process of repeated modificati­on. Also, I hand made my own high-quality linen canvas and wood frame, as did many of the Old Masters.

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