Las Vegas Review-Journal (Sunday)

Velveteen Rabbit owners Christina and Pamela Dylag teach beginners the art of classic cocktails.

Cocktail classes at Velveteen Rabbit draw students ready to pour

- By Sarah Corsa

CHRISTINA Dylag had a secret on her first day behind the bar at Velveteen Rabbit. She had never bartended before. Dylag had worked in the industry as a hostess and server and had an extensive home bar — but hadn’t ever made drinks for customers as a bartender when she and her sister, Pamela Dylag, opened Velveteen Rabbit in 2013.

“I didn’t really want anyone to know either,” Christina says from the velvet Victorian chairs that crowd the bar’s dim interior. “I sidesteppe­d that question a lot within the first couple years.”

Walk through their Main Street door on any given weekend night and you’d never know. In the four years since, the Arts District haunt

Most cocktails, they come from classic recipes. Even when you get into the weird, crazy cocktails that are more experiment­al, they all have a basis of a classic recipe. Pamela Dylag Co-owner of Velveteen Rabbit

has flourished into the type of space the sisters envisioned.

“When we had the idea for the bar, it was more like this bigger idea, like a community space,” Pamela says, that was similar to bars they had hung out in in cities such as Portland, Oregon, and Tokyo. The sisters regularly host events in collaborat­ion with local artists and continue coming up with ever more creative seasonal menus with the help of their staff.

Christina’s experience goes to show that everyone starts somewhere. Now, the Dylag sisters are giving aspiring home bartenders that start at bimonthly cocktail classes, relaunched at the Velveteen Rabbit in January.

They had offered classes through a third-party organizer about three years ago. Those attracted mostly bacheloret­te parties and the like, who were more focused on the consumptio­n of the drinks than the process that led to them. The cocktails, too, were tailored for that audience: a variation on a Cosmopolit­an, for example, versus the classics participan­ts are now making.

The current incarnatio­n draws

locals and tourists who are a little more into the nitty gritty of a cocktail’s creation. Throughout the class, they ask how to use different aperitifs and what benefits the oils of an orange peel have.

“They branded themselves with intricate cocktails,” participan­t Jason Bornstein, a 29-year-old who works for a liquor distributo­r, says at a recent class. “There’s so much that goes into (making a bar successful), it’s so cool.”

Participan­ts make three classic cocktails during the two-hour class, held every other Saturday from 2 to 4 p.m. They begin with a French 75, a sparkling lemon drink from the Prohibitio­n era, then progress toward more spirit-forward cocktails: a whiskey sour and then an Old-Fashioned.

“Most cocktails, they come from classic recipes,” Pamela says. “Even when you get into the weird, crazy cocktails that are more experiment­al, they all have a basis of a classic recipe. You just have to be really familiar with that recipe before you venture out and see what you can do.”

Either Pamela or Christina demonstrat­es how to make the drink, sharing bits about its history. Then, the students hop behind the bar two at a time.

“I have all these tools, I have a spectacula­r bar, I just didn’t know how to make anything,” says Sharon Bond, 56, who also attended the recent class.

Though Velveteen Rabbit has an eclectic menu — current offerings feature drinks with Chareau, an aloe vera liqueur, and papaya-jalapeno shrub — Christina and Pamela chose the three cocktails for the class based on their approachab­ility and simplicity. Attendees can re-create them at home without many specialize­d ingredient­s or tools.

“You don’t have to go spend hundreds of dollars at the stores just to re-create these drinks, we wanted to be accessible in that way,” Christina says. For instance, the whiskey sour and the Old-Fashioned can use the same whiskey.

By the time the beginning bartenders have downed the last of their third cocktail of the afternoon, they are imploring the Dylag sisters to switch up the menu soon so they can take the class again. “As soon as she changes it up, I’ll be back,” Bond says.

 ?? Robiee Ziegler A Cocktail of Two Cities ?? Velveteen Rabbit owners and sisters Christina, left, and Pamela Dylag, drew inspiratio­n for the bar’s atmosphere from their world travels.
Robiee Ziegler A Cocktail of Two Cities Velveteen Rabbit owners and sisters Christina, left, and Pamela Dylag, drew inspiratio­n for the bar’s atmosphere from their world travels.
 ?? Robiee Ziegler A Cocktail of Two Cities ?? The Velveteen Rabbit’s metallic tap handles are part of the eclectic aesthetic of the cocktail and beer bar in the Arts District downtown.
Robiee Ziegler A Cocktail of Two Cities The Velveteen Rabbit’s metallic tap handles are part of the eclectic aesthetic of the cocktail and beer bar in the Arts District downtown.
 ?? Chase Stevens Las Vegas Review-Journal@csstevensp­hoto ?? Jason Bornstein, a student at a recent class, is a distributo­r for a liquor company. Velveteen Rabbit’s cocktail-making classes often attract students with some liquor knowledge who want know more about the craft.
Chase Stevens Las Vegas Review-Journal@csstevensp­hoto Jason Bornstein, a student at a recent class, is a distributo­r for a liquor company. Velveteen Rabbit’s cocktail-making classes often attract students with some liquor knowledge who want know more about the craft.
 ?? Chase Stevens Las Vegas Review-Journal@csstevensp­hoto ?? Students look on as instructor Pamela Dylag makes an Old-Fashioned during a recent cocktail class at Velveteen Rabbit.
Chase Stevens Las Vegas Review-Journal@csstevensp­hoto Students look on as instructor Pamela Dylag makes an Old-Fashioned during a recent cocktail class at Velveteen Rabbit.

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