Las Vegas Review-Journal (Sunday)

Dion caps ‘16 incredible years’ at Caesars

- JOHN KATSILOMET­ES John Katsilomet­es’ column runs daily in the A section. His PodKats! podcast can be found at reviewjour­nal.com/ podcasts. Contact him at jkatsilome­tes@reviewjour­nal. com. Follow @johnnykats on Twitter, @JohnnyKats­1on Instagram.

In her sendoff at the Colosseum at Caesars Palace, Celine Dion opened with “The Power of Love.” Then she felt it.

Dion was greeted with a full-throated roar and a standing ovation from the start as she opened her 1,144th and final show Saturday night at the Colosseum.

“I’m supposed to ask how everybody is doing tonight, but you answered that many times already. I am very excited, but I am also quite emotional tonight,” Dion said. “We have something in common because you are feeling pretty awesome tonight. All of us here onstage are feeling pretty awesome as well.

“On behalf of my extended family, we are very excited to be here tonight because this is home away from home.”

Dion recalled opening “A New Day …” in March 2003.

“This is our final show in this beautiful Colosseum, and it’s kind of strange. When they started to put it together I was ‘oof,’ I don’t know,” Dion said, to a cascade of cheers. “I thought I misunderst­ood something, and I was going to be here for three months or something. But it has been 16 incredible years.”

The night started with the video Dion recorded with her family and a collection of Vegas drag performers, with the requisite Elvis impression­ist. The 18-wheeler Dion is driving breaks down, and then an SUV full of drag queens (driven by Dion tribute artist Steven Wayne) stops.

As the crew drives off toward Los Angeles, the camera shows the vehicle’s bumper sticker, “Celine Courage Tour.” And for the woman for whom Caesars built the Colosseum, that’s where the highway leads.

Time after time

Dion thanked the members of her orchestra for all of their time and hard work with an appropriat­e parting gift. All 30 band members received Boucheron watches, a favorite of her late husband, Rene Angelil, valued at about $6,000 — or about a $180,000 outlay, the calculator on my Apple Watch says — but they are really priceless considerin­g the sentiment. A gift well-deserved, believe it.

The AEG split

AEG Presents/Concerts West Co-CEO John Meglen said he is “not happy” with Caesars Entertainm­ent’s decision to close its exclusive booking contract with his company. Since the Colosseum opened in 2003, AEG has served as the venue’s exclusive promoter and booking partner, but Caesars has a new deal with Live Nation that takes effect just as the Colosseum closes for renovation­s in July.

During a podcast interview in May with veteran music journalist Bob Lefsetz, the host asked Meglen why his company had decided not to renew its deal at the Colosseum.

“It wasn’t necessaril­y that we didn’t decide,” Meglen said. “One, there was some miscommuni­cation between our organizati­on being involved in the arena (T-Mobile), and that had something to do with us operating the Colosseum. But at the end of the day, you know, they picked their horse, after all these years. I don’t know why. We’re not happy about it.”

AEG and MGM Resorts Internatio­nal are business partners in T-Mobile Arena, but Live Nation also books many touring shows in the facility. The move by Caesars Entertainm­ent to partner with Live Nation exclusivel­y does strengthen that company’s hold on Strip residency headliners. Live Nation and Caesars are also in an exclusive booking partnershi­p at Zappos Theater at the Planet Hollywood Resort, and Live Nation is also the partner in most residencie­s at Park Theater at Park MGM — including those of Lady Gaga and Bruno Mars.

Comic interlude

For much of Dion’s run at the Colosseum, George Wallace has been ready to fill in for 15 or so minutes if she is running late. He actually has appeared, unbilled, a few times over the years. He was onstage Friday and again in Saturday night’s finale to warm up the crowd.

“It’s an honor to be with her,” Wallace says, “and it’s a great internatio­nal audience.”

Wallace continues to headline at Westgate Cabaret, where the offer for Dion to return the favor is always open.

Scene of Shania

We’re still anticipati­ng the formal announceme­nt of Shania Twain headlining one of Caesars Entertainm­ent’s resident headliner venues, either Zappos Theater or the Colosseum. Twain originally headlined the Colosseum starting in 2012, and at the time the booking strategy was to pull from the thousands of Canadian contacts the hotel has developed from ticket orders for Dion’s shows.

As Meglen said when Twain was originally booked, “Just using that alone is usually something that will help in the success of the show.” The series “Still the One” ran for 105 performanc­es, through December 2014.

 ?? John Katsilomet­es Las Vegas Review-Journal @JohnnyKats ?? Celine Dion performs in her final show — her 1,144th — Saturday at the Colosseum at Caesars Palace.
John Katsilomet­es Las Vegas Review-Journal @JohnnyKats Celine Dion performs in her final show — her 1,144th — Saturday at the Colosseum at Caesars Palace.
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