Despite Oscar snubs, women cheer film feats

Honorific lunch serves as bonding experience

BEVERLY HILLS, Calif. — The mood at Diane von Furstenberg’s lunch honoring this year’s female Oscar contenders could have been downbeat, given the shutout of women directors for Sunday’s awards. Instead, it was celebratory and defiant.

The 30-plus nominees who gathered at von Furstenberg’s home cheered as the women spoke in turn. Laura Dern, a best supporting actress nominee for “Marriage Story,” kicked things off Wednesday by recalling von Furstenberg’s first nominees’ lunch six years ago.

A single couch was enough to hold the handful of women, Dern told the packed room, adding, “I look forward to that entire garden to be filled in a few years!”

Von Furstenberg and Academy of Motion Picture Arts and Sciences CEO Dawn Hudson said a record 67 nominations went to women this year, which Hudson called representative of a trend in the academy, which has long tilted heavily male. Half the newly invited members are women, she said, and the leadership is changing as well.

“When I started with the academy nine years ago, there were six female governors, and it was hard for our voices to be heard around the big table,” Hudson said. “And today there are 25.”

Greta Gerwig, excluded from the best director category for “Little Women” despite its best-picture bid, was on hand briefly before dashing out, it was explained, to get back home to her baby.

“That’s OK. As long as she gets the Oscar,” a guest called out. Gerwig is a nominee for best adapted screenplay.

Former studio chief Amy Pascal, who produced “Little Women,” offered an industry veteran’s perspective.

“On behalf of Greta and myself, yeah, it would have been better if she got nominated. But ‘Little Women’ is the third movie in the history of the Oscars that is produced, directed and written” by women, Pascal said, drawing applause.

Krysty Wilson-Cairns, who earned a best original screenplay nod for “1917,” said the film has been her passport to many parties and some telling moments.

“Every time I say I’m the writer of ‘1917,’ people go ‘huh?’ and those people are unfailingly male. And today, not one single person in this room has gone ‘huh?’” she said. “So I just want to say thank you for that.”

Women are making impressive strides in documentaries and animation, as was emphasized by the nearly 20 guests with nods in those categories.

Julia Reichert, who earned her fourth and latest nomination for the documentary “American Factory,” summoned memories from her early career. One was hearing that a woman can control the family’s shopping budget, “but you don’t want to give her $5 million to make a movie.”

“This is an actual quote from a producer guy back then. And how do we get from there to where we are?” Reichert said, suggesting two reasons.

“We’re not accepting patriarchy, not accepting the way the males have done it. We have our own way and we’re going to make our own way. The other thing is solidarity, solidarity among women,” Reichert said.

Some reinforced the value of sisterhood with their own stories. Kirstine Barfod, who with Sigrid Dyekjaer produced the nominated documentary “The Cave,” about a heroic doctor and her staff in wartorn Syria, said it was Dyekjaer’s faith in her abilities that helped make her career possible.

Work, not awards, should be the main goal, Dern said in an interview at the lunch.

“We need to take the focus off of the lack of accolades for women and look at the lack of opportunities. You can’t say five movies were made by women, and they got snubbed. Well, OK, but of the 300 guys who got to make them, there were a bunch of guys who got snubbed,” Dern said.

The Associated Press file Greta Gerwig, who was not nominated for an Oscar for directing “Little Women,” was hailed for her standout movie at a lunch hosted by Diane von Furstenberg.