Las Vegas Review-Journal (Sunday)

Activists and artists are seeking new purpose for the old Moulin Rouge site.

Old Moulin Rouge lot still inspires pride

- By Janna Karel

In 1955, the Moulin Rouge became the first racially integrated casino in the country.

The property was popular with Black entertaine­rs who could perform in but not stay at other casinos, it was owned by the first African American woman to hold a Nevada gaming license, and it stood as a source of pride for the Historic

Westside community.

It closed just six months after it opened, fell victim to squatters and fires over time and was demolished in 2017.

Now, a group of artists and activists is using trash bags and paintbrush­es to argue that the lot should be built into a source of pride, once again.

Teresa Brooks launched a local chapter of her Sierra

‘ The goal right here is we want to have a safe haven for everybody. To make sure the people of Las Vegas are taken care of. To express themselves, be free, be empowered. ’ Sierra McDaniel Volunteer helping to clean up the Moulin Rouge site

Leone-based activist group, Africa Movement, following the death of George Floyd and the subsequent public outcry.

Brooks organized volunteers to clean up the lot of the former Moulin Rouge in a bid to open a dialogue about how the neglected property could better be used if the city were to intervene.

“We’ve been cleaning the area for two or three months,” Brooks says. “All the plastic and garbage gets hauled out. There’s a lot we can do on that lot if it were like a park. COVID testing. Outside tutoring classes. Our weather will be its best in a month, and there’s stuff we can do.”

In the mid-August heat, when it was still over 100 degrees after the dusk, Brooks, 40, and 24-year-old Sierra McDaniel prowled the lot, collecting plastic bags, glass bottles, recyclable­s and human waste.

“We’re taking out all the debris that’s been littered here to make a clean land,” McDaniel says. “The goal right here is we want to have a safe haven for everybody. To make sure the people of Las Vegas are taken care of. To express themselves, be free, be empowered.”

Brooks says that after Floyd’s death, she felt that the Black community in Las Vegas didn’t have a space to gather, a problem amplified because of closures related to the COVID-19 pandemic.

“During the civil rights movement, we (were) kicked out of all of Las Vegas and basically isolated to this area,” says Brooks, gesturing to where the Moulin Rouge used to stand. “Now we’re going through Black Lives Matter, which is our new movement. And we’re basically being pushed from the Strip for protesting and Fremont Street for protesting. We have no safe haven.”

Beautifica­tion with art

When Las Vegas artist Brent Holmes caught wind of the efforts Brooks was starting, he offered his talents.

“I went down there and talked to Teresa,” Holmes says. “She said it would be amazing if we had murals on the lot. It’s an important historical site. We need to bring attention to it and beautify it.”

Holmes put out a call on social

media for artists to paint murals on the building adjacent to the lot. The only restrictio­n was that the murals needed to have empowering messaging for people of color or messaging that supported Black Lives Matter.

Local artist Jerry Misko helped to gain permission to use the land and painted a neon-inspired marquee.

Over four days, artists volunteere­d their time, talents and materials to paint colorful murals, some depicting Martin Luther King Jr., Breonna Taylor and showgirls holding up the

Civil Rights Act of 1964.

“I prefer to think about this as opening up a dialogue with the people who own the property and with the city about how spaces are used,” Holmes says. “This city is full of open lots. This is maybe the most historical­ly important. We can make this a better city for art. We don’t need the focus to be all on the Arts District.”

Holmes says that while he and other artists painted, families from the neighborin­g apartments would stop by to watch and offer thanks for the inspiring artwork.

“If the city proposed a park or community center, this could be somewhere those kids could play

and learn culture and art and talk about Black history,” says Holmes.

Future of Moulin Rouge lot

The Moulin Rouge property is overseen by Kevin Hanchett, a court-appointed receiver who is negotiatin­g the sale of the property on behalf of its more than 300 owners.

“Over 300 individual­s lent the previous owner $19 million. Our job is to recover the money they invested in the property,” Hanchett says. “Donating it as a park does not accomplish that goal.”

Hanchett says that in early 2020, a developer proposed using the lot to open a mixed-use project with a

big-box store. Those talks ceased in light of COVID-19. Another potential plan is to develop a casino on the property.

“To me, the Moulin Rouge is a moment,” Holmes says. “This is where Black folks crossed the color barrier for the first time. The Moulin Rouge had a really short shelf life. But the Moulin Rouge Agreement changed the entire city. It desegregat­ed casinos city-wide. The physical building no longer exists, but there is something hallowed about the space.”

 ??  ?? Las Vegas Review-Journal
Las Vegas Review-Journal
 ?? Elizabeth Brumley Las Vegas Review-Journal ?? A portrait of Martin Luther King Jr. stands on a wall near the old Moulin Rouge lot, which activists have been cleaning up.
Elizabeth Brumley Las Vegas Review-Journal A portrait of Martin Luther King Jr. stands on a wall near the old Moulin Rouge lot, which activists have been cleaning up.
 ??  ?? Artist Brent Holmes is working on a mural near the Moulin Rouge lot, which he says “is maybe the most historical­ly important” in the city.
Artist Brent Holmes is working on a mural near the Moulin Rouge lot, which he says “is maybe the most historical­ly important” in the city.
 ?? Elizabeth Brumley Las Vegas Review-Journal ?? Over four days, artists volunteere­d their time, talents and materials to paint murals near the property where the Moulin Rouge hotel-casino once stood.
Elizabeth Brumley Las Vegas Review-Journal Over four days, artists volunteere­d their time, talents and materials to paint murals near the property where the Moulin Rouge hotel-casino once stood.
 ??  ??
 ??  ?? Las Vegas artist Brent Holmes works on a mural Aug. 18. “To me, the Moulin Rouge is a moment. This is where Black folks crossed the color barrier for the first time.”
Las Vegas artist Brent Holmes works on a mural Aug. 18. “To me, the Moulin Rouge is a moment. This is where Black folks crossed the color barrier for the first time.”
 ?? Elizabeth Brumley Las Vegas Review-Journal ?? Activists say the lot where the Moulin Rouge was could be a source of pride again. It was owned by the first African American woman to hold a Nevada gaming license.
Elizabeth Brumley Las Vegas Review-Journal Activists say the lot where the Moulin Rouge was could be a source of pride again. It was owned by the first African American woman to hold a Nevada gaming license.

Newspapers in English

Newspapers from United States