Las Vegas Review-Journal (Sunday)

Super Bowl commercial­s: To address or avoid the pandemic?

- By Tiffany Hsu

Some of the biggest players on Super Bowl Sunday won’t be wearing helmets. They’re the company executives and ad-makers who will be monitoring the reaction to the big-budget commercial­s that will have their television debuts before an expected audience of 100 million viewers.

They are likely to be more jittery than usual this year. In addition to having made an expensive bet — CBS charged approximat­ely $5.5 million for 30 seconds of ad time — people who work in marketing have been worried about the tone they should take during a pandemic that has killed nearly 450,000 Americans. Brands that decide on a somber approach risk reminding viewers of what they had hoped to escape for a few hours, and the ones that try to be funny could seem out of step.

Faced with an unusual advertisin­g challenge, a few companies that typically promote themselves during the broadcast — including Coca-Cola and Hyundai — decided to skip this year’s event. And with movie theaters having gone dark, or else selling a limited number of tickets, most major Hollywood studios won’t be teasing summertime blockbuste­rs as they usually do during the big game.

The job search site Indeed decided to address the difficulti­es of pandemic life head-on in its first Super Bowl commercial. The ad is meant to “highlight the emotional journey of job seekers at a time when many people are facing economic distress” because of the pandemic, the company said. Uber, on the other hand, is going for laughs and nostalgia with an Uber Eats commercial featuring Mike Myers and Dana Carvey reprising their “Wayne’s World” roles from their “Saturday Night Live” sketches and movies.

“People are obviously craving a return to ‘normal,’” said Thomas Ranese, Uber’s global marketing vice president. “We thought a lot about having a more sentimenta­l message at the Super Bowl, pulling on heartstrin­gs. But we just thought that people really need to laugh and have a bit of humor and a reprieve from how serious this whole year has been.”

Anheuser-Busch, the maker of Budweiser, is hedging its bets. For the first time in 37 years, there will not be a splashy commercial for the King of Beers on Super Bowl Sunday. The company said it had donated some of its ad budget to the Ad Council, a nonprofit group behind a $50 million ad blitz to fight coronaviru­s vaccine skepticism.

Another Anheuser-Busch beverage, Bud Light Seltzer Lemonade, is taking the funny route today, commemorat­ing what it calls “a lemon of a year” in a commercial that shows lemons falling from the sky on wedding guests and cardboard cutouts of fans at a baseball game.

Newcomers to Super Bowl advertisin­g include companies that have thrived during the homebound pandemic months, a group that includes the delivery service DoorDash, the takeout-friendly Mexican chain Chipotle and the diaper company Huggies.

A surge of interest in lockdown gardening persuaded Scotts Miracle-Gro to run its first Super Bowl commercial. It shows Martha Stewart tending to tomatoes and John Travolta making a TikTok dance video with his daughter in a lush backyard. The company did not give the green light for the ad until mid-December, said John Sass, the vice president for advertisin­g at Scotts.

“It wasn’t like this was some big, long-term plan,” he said.

“The momentum carried us.”

Squarespac­e’s commercial smacks of the Before Time. The website-building company hired Damien Chazelle, the director of the Oscar-winning 2016 musical “La La Land,” to put together a dance routine set to Dolly Parton’s revamp of her 1980 hit “9 to 5.” The new version, in praise of entreprene­urs, is called “5 to 9.”

Robinhood, the digital brokerage startup, is making its Super Bowl debut with an ad shot before the company found itself under scrutiny in the stock market mania over GameStop, a frenzy driven by users of the Robinhood app. Its commercial presents moody shots of Americans from all walks of life (guys in cowboy hats at a bar; a young flower-shop proprietor; a harried parent of a newborn), and ends with the slogan, “You don’t need to become an investor. You were born one.”

With film production and marketing budgets hamstrung by the pandemic, many commercial­s have opted for simplicity. It’s a year for close-ups of individual people rather than the megaproduc­tions with casts of thousands that some companies have rolled out on Super Bowl Sundays past.

Fox, which broadcast the 2020 contest, sold all of its Super Bowl ad space before the 2019 Thanksgivi­ng holiday and generated $448.7 million in game-time ad revenue — a record, according to the research firm Kantar. Sales were slower this year, and CBS did not fill its roughly 70 slots until last week.

The attention generated by Super Bowl advertisin­g extends beyond the game. Twice as many people might see the commercial­s on social media sites than during the broadcast, said Jonah Berger, a marketing professor at the University of Pennsylvan­ia’s Wharton School. Brands also hope their ads are distinctiv­e or dramatic enough to generate talk after the final whistle.

“But this echo effect that many brands bank on is not going to be as large this year,” Berger said. “Less people will be talking at the office on Monday morning, because they’re not going to be in the office.”

These days, for many companies, commercial­s are just one part of Super Bowl marketing. Verizon’s plan includes sponsorshi­p of gaming sessions on Twitch, a Verizon-branded virtual stadium in the online video game Fortnite, and a livestream­ed postgame concert featuring Alicia Keys and Miley Cyrus. The company’s traditiona­l TV commercial “was the easiest of all the things we’re doing,” said Diego Scotti, Verizon’s chief marketing officer.

Matt Manning, the chief executive of the MKTG agency, said the Super Bowl was “probably the preeminent meeting event” for the ad industry in a typical year, adding that his colleagues often had trouble booking a hotel room within 20 miles of the stadium. This year, because of the pandemic, he’s not going, he said.

It will also be the first time in 15 years that Jeremy Carey, the managing director of Optimum Sports, will not attend the game. He said his company, the sports marketing division for the ad company Omnicom Media Group, handles as much as 20% of Super Bowl advertiser­s. Even at a distance from the field, he expects to feel tense today.

“It’s unlike anything else,” Carey said. “When you look at the top-peforming programs out there, nothing even comes close. There are nervous jitters that go along with it — but if you didn’t have that as a Super Bowl marketer, I’d question your humanness.”

 ?? ANDREW JOYCE / THE NEW YORK TIMES ?? The attention generated by Super Bowl advertisin­g extends beyond the game. Twice as many people might see the commercial­s on social media sites than during the broadcast, said Jonah Berger, a marketing professor at the University of Pennsylvan­ia’s Wharton School.
ANDREW JOYCE / THE NEW YORK TIMES The attention generated by Super Bowl advertisin­g extends beyond the game. Twice as many people might see the commercial­s on social media sites than during the broadcast, said Jonah Berger, a marketing professor at the University of Pennsylvan­ia’s Wharton School.
 ?? UBER EATS VIA THE NEW YORK TIMES ?? A still image from an Uber Eats commercial shows, from left, Mike Myers and Dana Carvey reprising their “Wayne’s World” characters, along with Cardi B, in an ad scheduled for the Super Bowl broadcast today.
UBER EATS VIA THE NEW YORK TIMES A still image from an Uber Eats commercial shows, from left, Mike Myers and Dana Carvey reprising their “Wayne’s World” characters, along with Cardi B, in an ad scheduled for the Super Bowl broadcast today.
 ?? SQUARESPAC­E VIA THE NEW YORK TIMES ?? A still image from a Squarespac­e commercial scheduled for the Super Bowl broadcast. Dolly Parton recorded a variation on her 1980 hit “9 to 5” for the commercial.
SQUARESPAC­E VIA THE NEW YORK TIMES A still image from a Squarespac­e commercial scheduled for the Super Bowl broadcast. Dolly Parton recorded a variation on her 1980 hit “9 to 5” for the commercial.

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