Las Vegas Review-Journal (Sunday)

Closure gives Louvre time for refurbishm­ent

Free of crowds, staff carrying out projects

- By Thomas Adamson and Alex Turnbull

PARIS — The 518-year-old Mona Lisa has seen many things in her life on a wall, but rarely this: Almost four months with no Louvre visitors.

As she stares out through bulletproo­f glass into the silent Salle des Etats, in what was once the world’s most-visited museum, her celebrated smile could almost denote relief. A bit further on, the white marble Venus de Milo is for once free of her girdle of picture-snapping visitors.

It’s uncertain when the Paris museum will reopen, after being closed on Oct. 30 in line with the French government’s virus containmen­t measures. But those lucky enough to get in benefit from a rare private look at collection­s covering 9,000 years of human history — with plenty of space to breathe.

That’s normally sorely lacking in a museum that’s blighted by its own success: Before the pandemic, staff walked out complainin­g they couldn’t handle the overcrowdi­ng, with up to 30,000-40,000 visitors a day.

The forced closure has also granted museum officials a golden opportunit­y to carry out long-overdue refurbishm­ents that were not

possible with nearly 10 million visitors a year.

Unlike the first lockdown, which brought all Louvre activities to a halt, the second has seen some 250 of the museum employees remain fully operationa­l.

An army of curators, restorers

and workers are cleaning sculptures, reordering artifacts, checking inventorie­s, reorganizi­ng entrances and conducting restoratio­ns, including in the Egyptian Wing and the Grande Galerie, the museum’s largest hall, which is being fully renovated.

“We’re taking advantage of the museum’s closure to carry out a number of major works, speed up maintenanc­e operations and start repair works that are difficult to schedule when the museum is operating normally,” Laurent le Guedart, the Louvre’s Architectu­ral Heritage and Gardens Director said from inside the Grande Galerie.

As le Guedart spoke, restorers were standing atop scaffolds taking scientific probes of the walls in preparatio­n for a planned restoratio­n, traveling back to the 18th century through layer after layer of paint.

Around the corner the sound of carpenters taking up floorboard­s was faintly audible. They were putting in the cables for a new security system.

Previously, these jobs could only be done on a Tuesday, the Louvre’s only closed day in the week. Now hammers are tapping, machines drilling and brushes scrubbing to a full week schedule, slowed down only slightly by social distancing measures.

In total, 10 large-scale projects that were on hold since last March are under way — and progressin­g fast.

They include works in the Etruscan and Italian Halls and the gilded Salon Carre.

A major restoratio­n of the ancient Egyptian tomb chapel of Akhethotep from 2400 BC is also underway.

 ?? Thibault Camus The Associated Press ?? Leonardo da Vinci’s “Mona Lisa” hangs Thursday in a deserted Louvre museum, which has seen no visitors for almost four months. It’s uncertain when the Paris museum will reopen, after being closed on Oct. 30.
Thibault Camus The Associated Press Leonardo da Vinci’s “Mona Lisa” hangs Thursday in a deserted Louvre museum, which has seen no visitors for almost four months. It’s uncertain when the Paris museum will reopen, after being closed on Oct. 30.

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