Las Vegas Review-Journal (Sunday)

■ People getting vaccinated at one of New York’s biggest sites were treated to live classical music.

Live-music return seen as a symbol of progress

- By Kathy Willens

NEW YORK — On a recent weekday, the sounds of Vivaldi, Mozart and Bach greeted hundreds of just-inoculated New Yorkers as they entered a medical observatio­n area at one of the city’s biggest COVID-19 vaccinatio­n sites, the Jacob K. Javits Convention Center.

Hearing the music, many stopped to record videos of the five musicians in a piano and string ensemble gathered onstage, performing.

For people on the road to immunity, experienci­ng live music in the same space that served as a field hospital at the height of the pandemic was a fitting accompanim­ent on a day of hope.

For some of the musicians, it was something more.

Pianist Barbara Podgurski said her recent performanc­es at the vaccinatio­n site were her first in public since the pandemic battered the city last spring.

“There were three months where I didn’t play the piano because I felt hopeless,” she said. “The reaction … I haven’t heard in a year. You realize how much people need music in their lives, to feel beauty and magic. It gives them hope.”

The music is part of a series of daily, two-hour midday concerts from a collaborat­ion between the nonprofit group Sing for Hope and violinist Victoria Paterson, who started a nonprofit, Music and Medicine.

Paterson said many of her fellow musicians have been out of work since the city’s music and performanc­e scene shut down last spring.

The musicians who perform at the Javits Center are paid to play. There’s a tip jar, too, but contributi­ons go to Sing for Hope so the music can continue.

“We can’t be buskers with family obligation­s at this stage in our careers,” Paterson said.

Podgurski, who is also a music professor at the City University of New York, said that with the city’s live entertainm­ent scene still largely shut down, any paying job is extremely welcome. Some friends, she said, had to sell beloved instrument­s to pay bills.

Another recent performer at the Javits concerts was violinist Katie Kresek, concertmas­ter and co-orchestrat­or for the Tony-nominated Broadway musical “Moulin Rouge.”

Before the pandemic, her schedule was full, including performanc­es in New Zealand and Australia. But after the pandemic hit, “within two weeks, all of my coming year bookings were canceled.”

Reflecting on playing at a vaccinatio­n center, Kresek said, “Emotionall­y, I felt I was contributi­ng to this massive effort. It felt very gratifying to help out.”

The music was appreciate­d, too, by people who had come to get their vaccinatio­ns.

“We’ve all experience­d so much loss in the last year,” Janet Heit said after getting her shot. “It’s very emotional coming here to get vaccinated for something that wasn’t available when my father had COVID. Not only is it a great thing for the arts to have musicians, but it’s soothing and uplifting.”

 ?? Kathy Willens The Associated Press ?? Pianist and music professor Barbara Podgurski plays Thursday with a string quartet for people who had received a COVID-19 vaccinatio­n and were waiting during the observatio­n period at the Jacob K. Javits Convention Center in New York.
Kathy Willens The Associated Press Pianist and music professor Barbara Podgurski plays Thursday with a string quartet for people who had received a COVID-19 vaccinatio­n and were waiting during the observatio­n period at the Jacob K. Javits Convention Center in New York.

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