Las Vegas Review-Journal (Sunday)

How do you speed-age booze? Luck and science

- By Jason Bracelin Las Vegas Review-Journal Contact Jason Bracelin at jbracelin@reviewjour­nal.com or 702-383-0476. Follow @ JasonBrace­lin on Twitter and @jbracelin7­6 on Instagram

The calendar-shrinking contraptio­n sits behind a glass window. “That’s the actual gear that’s used for aging the booze,” Bryan Davis says, eyeing a series of stainless steel tanks fronted by a smaller machine with a clear facade.

Six years ago, Davis debuted the Thea One reactor, a device that essentiall­y mimicks the aging process for creating spirits. With it, Davis was able to create alcohol in a few days that could take 20 years to produce using traditiona­l techniques.

“We were trying to figure out how you make a better bottle of booze,” Davis explains. “That was sort of the starting point. And then from there, it became a question of, ‘OK, well, how do you approximat­e what happens inside the barrel?’”

So, how does it work?

By getting rid of the barrel, essentiall­y.

The process begins with spirits and wood put into a tank and heated up until you’re able to extract a catalyst from the wood that triggers esterifica­tion, a chemical reaction essential to booze aging.

“Once we extract the compound out of there that we can use to trigger the esterifica­tion reaction, we then take a little bit of the booze, fill up the glass tube and drop all of the wood in here,” Davis says.

The tube is then blasted with bright light.

“That causes a reaction called photo-degradatio­n to start decomposin­g the wood,” he says. “As the polymers in the wood start to break apart and unhinge in the light, all the decomposit­ion products of those polymers get trapped inside the liquid, which, it just so happens, turn out to be the same decomposit­ion products you get when you soak booze in a barrel for decades.”

Think about the time, energy and cost it takes to produce spirits using normal methods: whiskey alone requires at minimum five-to-seven years to age into a quality product. It does so in barrels that can cost hundreds of dollars apiece, and then must be warehoused somewhere.

Now imagine eliminatin­g almost all of that overhead.

“When I created the technology, I wasn’t really trying to speed up aging,” Davis says. “I was trying to figure out how to mimic the effect in the lab so that I could go set up a battery of 3o tests to try to figure out which barrel I should be buying, which type of oak, which level of toast or char, which yeast I be should using on my fermentati­on and then try to connect all those dots to get to a product that I was going to be happy putting on the market.

“At some point,” he elaborates, “we just kind of realized, ‘Oh (crap), I think we’ve actually gotten better at this than what we could get doing this the old-fashioned way. Screw the barrel, let’s just keep getting better at this.’”

 ?? Chase Stevens Las Vegas Review-Journal @csstevensp­hoto ?? Bryan Davis, founder of Lost Spirits, builds all the stills used at his distilleri­es and tops them with a dragon sculpture.
Chase Stevens Las Vegas Review-Journal @csstevensp­hoto Bryan Davis, founder of Lost Spirits, builds all the stills used at his distilleri­es and tops them with a dragon sculpture.

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