Las Vegas Review-Journal

History of the American cat, author argues, mirrors that of its people

- By John Przybys Las Vegas Review-journal

TODAY is Independen­ce Day, when Americans celebrate their evolution from subjects of the British Crown (“Cheers”) to freedom-loving, independen­t Americans (“Yo”).

And as you ponder today about how we got from there to here, consider the family cat — yes, that panic-stricken furball running laps around your living room to the aural accompanim­ent of your neighbors’ illegal fireworks — and his, or her, American evolution, too.

Paul Koudounari­s has spent lots of time doing just that. And, as he sees it, the American cat “mirrors the story of the American people in an extraordin­ary way.”

They, like us, began as misfits in a far-off land. They, like us, survived an arduous And when the ships arrived in America from Europe, those immigrant cats — just like those human settlers — disembarke­d and created new lives and new identities on a new continent.

journey to a new home on a new continent. And they, like us, have forged an identity and a character that’s distinctly American.

A different breed

Koudounari­s, a Los Angeles-based historian, author and researcher, offered his take on the history of the Great American Cat on Friday during a presentati­on at The Writer’s Block. His interests include topics ranging from the way in which cultures deal with

death to animal history, and says his musings on American feline history are an outgrowth of his research about pet cemeteries.

Koudounari­s believes “American cats” are “American” for reasons beyond where they happen to live. Rather, he says, American cats, just like American people, are “kind of a mixed bag. They’re of mixed descent. A little bit of this and a little bit of that.”

American cats may have been born in cardboard boxes or under the stairs, yet “have this weird belief that the world is theirs for the taking,” Koudounari­s says.

CATS

While they’re as tough and scrappy and independen­t as an animal can be, they’ll also bond with humans fully and unconditio­nally when they choose to do so.

And, just like American people, he says, American cats have been “subject to the social forces around them that helped create and shape them.”

Consider that, in preamerica Europe, cats were considered vermin, “bad animals” often associated with witchcraft and evil, whose only saving grace was their ability to kill rodents, Koudounari­s says. “Deliveranc­e for European cats came the same way it came for all the other misfits in Europe: It came with the Age of Exploratio­n.”

When European settlers boarded ships for the New World, “cats were on the ships, too,” Koudounari­s says, noting that all vessels of the era sailed with cats aboard in order to keep them rat-free and protect the food and provisions they carried.

And when the ships arrived in America, those immigrant cats — just like those human settlers — disembarke­d and created new lives and new identities on a new continent.

Utilitaria­n beginnings

Luckily, early settlers had a keen appreciati­on for the utility cats offered.

For example, the cat door “was invented by American farmers in the 18th century so stray cats could come in the house and catch rodents for them,” Koudounari­s says.

The U.S. government would c0me to see cats’ utility, too. Koudounari­s says the U.S. government was the first to include in its national budget money for cats to protect mail from nibbling vermin, while military garrisons budgeted for cats to protect provisions, giving cats “a place in American society, something they never had in Europe.”

When settlers migrated to the West, cats went along. Cowboys “often traveled with cats on their saddle,” Koudounari­s says, again for the animals’ utilitaria­n value in protecting provisions from rats and mice.

But, at the same time, “something important is happening,” Koudounari­s says: The cowboys discovered thatacatal­so“canbeatrue companion.”

The evolution of the cat from working animal to pet was hastened by the avant garde set in the West, particular­ly writers and painters and artists who

“saw the cat as something a dog could never be. There’s something mysterious, something secretive about a cat. They decide, ‘This is a muse.’ “

Fame arrives

By the 1920s, America was seeing its first wave of celebrity cats. Jerry Fox, a political mascot of the borough of Brooklyn, was notable for the fact that he wore glasses. Koudounari­s notes that when the cat died — possibly after having having lost his glasses and falling into a hole — he was the subject of a hyperbolic

front-page newspaper obituary.

But, he continues, “there’s something going on in all of this hyperbole: They turn him into a caricature. Jerry Fox is no longer just a cat. He becomes a personalit­y. He’s crossed the line from cat to celebrity. Jerry Fox was the first cat who ever became a personalit­y. That’s why I’m calling him the most important cat in America.”

Americans met another celebrity in Kiddo, a cat that was on the airship America during a failed transatlan­tic crossing attempt. Koudounari­s notes that

 ?? Severiano Galvan ?? Las Vegas Review-journal
Severiano Galvan Las Vegas Review-journal
 ?? Morgan Lieberman ?? Las Vegas Review-journal Paul Koudounari­s tells the stories of some notable American cats during a presentati­on Friday evening at The Writer’s Block.
Morgan Lieberman Las Vegas Review-journal Paul Koudounari­s tells the stories of some notable American cats during a presentati­on Friday evening at The Writer’s Block.

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