MCGOWAN SAYS ASSAULTS TAKE PART OF THE SOUL
al harassment, aggression and misconduct toward women, as well as at least seven other settlements he had reached with accusers. After that, the dam burst, with The New Yorker, The Times and other news outlets reporting on dozens of other women’s experiences with Weinstein.
Weinstein, his accusers say, built his long history of abusing women on a risky gamble that worked for him over and over — the assumption that money or threats could buy women’s silence on a subject so intimate and painful that most would prefer not to go public anyway. While Mcgowan was the rare voice suggesting that the cover-up was not fail-safe, even she considered not naming him, having already, she believes, paid a career price for that long-ago episode and its aftermath.
A Weinstein spokeswoman, Sallie Hofmeister, said that “Mr. Weinstein unequivocally denies any allegations of nonconsensual sex.” Mcgowan’s lawyer, Paul Coggins, confirmed that Mcgowan received the offer.
By 2015, Mcgowan, who felt alienated by the industry, started using her sizable platform on Twitter to maximize her status as both insider and outsider — someone with enough Hollywood experience to speak with authority about sexism within it, and someone liberated enough from its compromises to unleash the fury in her that had been building for years. Only now does the scope of the news about Weinstein — and the public conversation about what’s wrong with Hollywood — seem to match the scale of her outrage, giving her the clout of a contrarian at last proven right.
On Friday, at the inaugural Women’s Convention in Detroit, she was a featured speaker — a new, combative face of feminism, endowed with Hollywood charisma yet anything but slick. “I have been silenced for 20 years,” she told the gathering. “I have been slut-shamed. I have been harassed. I have been maligned. And you know what? I’m just like you.”
A crusade gathers strength
As other women told their stories in recent weeks, Mcgowan not only addressed what happened to her but also attacked those she considered complicit.
When actor Ben Affleck claimed he never knew of Weinstein’s history, she wrote in a tweet: “‘GODDAMNIT! I TOLD HIM TO STOP DOING THAT’ you said that to my face,” adding, “The press conf I was made to go to after assault. You lie.” (Affleck declined to comment.) She called out the larger apparatus of Hollywood, criticizing talent agencies — “you are guilty of human trafficking,” she wrote — and a film studio that she believed knew of Weinstein’s alleged misconduct.
When Twitter suspended her account — the company said that it was because she had published a private phone number — users retaliated with a boycott that drew support from celebrities such as actress Alyssa Milano and writer Cheryl Strayed. Actor and filmmaker Jordan Peele tweeted, in response to Mcgowan’s blistering attacks, a moody still of her from “Grindhouse” in which she surveys burning wreckage her character has wrought. “Get ’em, Rose,” he wrote.
On Oct. 13, the day of the boycott, Mcgowan retreated from Los Angeles, where she had been working on her memoir, to a beach cottage in Hawaii, safely ensconced behind two gates, near a park locals call the City of Refuge. “I wanted to come to a place that had so much power to it, that it could hold a lot at bay — a lot of monster energy,” said Mcgowan, sitting at a picnic table near the ocean. “I came to a place that almost has a protective zone around it.” Her hair was short, but not shaven, as it had been in the past. Once featured on the covers of Maxim and Rolling Stone as a longhaired, barely dressed object of desire, Mcgowan seems to have settled on an aesthetic of chic simplicity.
If not a time of celebration, this moment could be perceived as a moment of vindication for Mcgowan. Yes, she said, she sometimes feels like laughing — “kind of like a witch’s cackle,” she clarified. But at other times she feels emotionally raw, just knowing that a click on her phone would bring her to conversations others were having about her assault allegation. The phone had come to feel too powerful: “It’s like a live wire that you’re holding in your mouth, and it goes directly to your brain,” she said.
The meeting and the aftermath
Her story of assault, although uniquely her own, shares some of the now familiar hallmarks of a Weinstein encounter. Mcgowan, then 23, was in Park City, Utah, in early 1997 to attend the Sundance Film Festival and the screening of a film in which she appeared, “Going All the Way.” She had also recently appeared as a smart-mouthed beauty who dies a gruesome death in the blockbuster film “Scream,” on which Weinstein was an executive producer.
Mcgowan’s manager then, Jill Messick, told her to meet Weinstein at the restaurant in the Stein Eriksen Lodge for a 10 a.m. appointment. On her arrival, the maître d’ directed the actress upstairs to Weinstein’s suite, she said. Mcgowan remembers passing two male assistants on the way in. “They wouldn’t look me in the eye,” she recalled.
She sat at the far end of a couch as Weinstein sat in a club chair, and they had a brief business meeting. But on their way out, she said, he interrupted himself to point out that the hotel room had a hot tub. “And then what happened, happened,” said Mcgowan, who has described her experience, on Twitter, as rape. “Suffice it to say a door opened and my life changed.”
She declined to share the details of the encounter. “That’s my story to tell,” she said emphatically. But she said that she walked out of the hotel suite and directly into a press event. She remembers fighting back tears, and the conversation with Affleck. She said she told Messick, then of Addis-wechsler & Associates, what had occurred. “She held me,” Mcgowan said. “She put her arms around me.”
But in the months to come, Mcgowan did not feel supported by her management team. She was referred to a lawyer specializing in sexual harassment and assault cases who, Mcgowan said, gave her the impression that filing a criminal charge was hopeless. “She was like, ‘You’re an actress, you’ve done a sex scene, you’re done,’” she recalled.
Anne Woodward, now a manager herself, was a young assistant in Messick’s office at the time, and was in on many of Messick’s calls. “I remember that Rose was extremely upset and did not want to settle,” Woodward said. “She wanted to fight.” No one around her, as Woodward recalls, supported that instinct. “It was an emotionally shocking way to see a woman being treated,” Woodward said. “That’s what stuck with me.”
Nick Wechsler, then a principal at Addis-wechsler & Associates, said that he and his partner, Keith Addis, met with Weinstein at Messick’s request and confronted him with Mcgowan’s claim. “I remember Harvey saying he was going to get psychiatric treatment or some kind of therapy for his sexual behavior,” Wechsler said.
Mcgowan initially asked for about $25,000, enough money to cover her therapy; by the time she signed the settlement, the amount had been raised to $100,000. Both Woodward and Mcgowan were shocked when, only a few months afterward, Messick accepted a job working as vice president for development at Miramax, then run by Weinstein. Messick did not respond to a request for comment.
Plenty of young actresses with promising starts see their careers founder for one reason or another. But Mcgowan believes that after she finished work on “Phantoms,” a 1998 film produced by Miramax, her career suffered because collaborations with Weinstein productions were for many years off the table. “And they were doing the kinds of movies that I would be doing,” she said.
She continued to work, on “Charmed” until 2006, but also in independent films. Eventually, she appeared in both of the two films packaged as “Grindhouse,” directed by Robert Rodriguez, with whom she was romantically involved, and by Quentin Tarantino. It was distributed by Dimension, run by Bob Weinstein, Harvey’s brother. As film critic David Edelstein put it in New York, Mcgowan played “the ultimate abused-and-fetishized action-movie femme.” The experience, Mcgowan said, left her shattered. “I was really lost at that point,” she said. “I was damaged.”
Shunning ‘celebrity’
It is impossible to predict how Mcgowan’s career path in film would have proceeded had the episode with Weinstein never occurred. She is an unconventional figure, occasionally provocative and profane, but also sometimes old-fashioned and even formal in spirit. “I never considered myself a celebrity,” she said at one point. “I hate that word. It’s tawdry.”
Mcgowan became an increasingly outspoken voice for women mistreated by Hollywood. In 2015, she was dropped from her agency after mocking a casting call that encouraged women to wear push-up bras in auditions. (Her agent had been fired a few days earlier, but the agency did not fight to retain her, as agencies typically do of valued clients.)
In The Hollywood Reporter, she passionately defended Renée Zellweger last year from what she perceived as sexist comments in Variety about the actress’ plastic surgery. “How dare you bully a woman who has done nothing but try to entertain people like you?” she wrote, in a direct accusation of the piece’s writer, Owen Glieberman.
“It was startling and inspiring to see someone who was willing to put herself out there in support of other women actresses,” said actress Molly Ringwald in an email to The Times. “Her tenacity is something that you would hope for in an union leader but of course never really get.”
And Mcgowan spoke, in veiled terms, to Buzzfeed reporter Kate Aurthur in 2015 about her experience as an assault victim. “You are taking part of someone’s soul,” she said. “It’s happened to me.” Last year, during a Twitter campaign called #WhywomenDontreport, she all but named Weinstein as the perpetrator of the violence against her that she had mentioned in the past.
During her recent visit to Hawaii, Mcgowan, over a day and a half in Kona, revealed a person much more playful than her fierce Twitter persona. She would interrupt a thought to smile and smell a flower that caught her eye; she could not resist a swing hanging from a large tree, and enjoyed twirling an umbrella the same blue as her sundress while walking on the beach. She seemed free, in some ways, from both a long-kept secret and a labor of love that had occupied her for the last year and a half — her book, “Brave,” which will be released by Harper One early next year.
To some degree, she had shielded herself from the news. But when she learned how many women had stepped forward to complain of assault or harassment by Weinstein, she said: “I knew we are legion. We are legion.” She had been corresponding lately with Asia Argento, an Italian actress who also accused Weinstein of sexual assault (and was subsequently shamed by the Italian press). “It feels,” Mcgowan wrote to Argento, reading from her text, “‘like toxic slime going out of a spiked birth canal.’” That’s what the whole experience feels like to me. It’s an intense process.”
Sometimes she feels fresh rage. “But I’ll tell you what I don’t feel anymore,” she said. “Despair.”