Las Vegas Review-Journal

New ‘Opium’ show has ‘secret sauce’

- JOHN KATSILOMET­ES

BMcbeath has sought a winner at Rose. Rabbit. Lie. showroom since he took over as chief executive officer of The Cosmopolit­an of Las Vegas in December 2014.

He felt he’d made a sure bet by agreeing to bring “Absinthe” to the property in September 2016. But a settlement between that show’s producers, Spiegelwor­ld, and business partner Base Entertainm­ent ended a lingering court case and kept the show at its longtime home, Caesars Palace.

Undaunted, Mcbeath and Spiegelwor­ld have teamed up to bring “Opium” to the newly named Opium Theater at Rose. Rabbit. Lie. for a March 13 launch.

“Opium,” helmed by the character Harry M. Howie, will be an intergalac­tic-themed show filled with specialty acts, comedic numbers, singers and a live band. Other details will be made known later — like, March

13. The show’s teaser performanc­e at Cosmopolit­an on Feb. 8, while aesthetica­lly fascinatin­g, did little to clarify the production’s content.

The excerpted act featured musicians in a drum circle donning aluminum foil and a sax soloist heralding costume designer Machine Dazzle’s arrival in a glass elevator.

Last week Mcbeath took a few moments away from all the merriment to expound on his hotel’s new show, its unique characteri­stics, and why he chose to shake hands with Mr. Howie (and, in fact, Spiegelwor­ld founder Ross Mollison).

Mcbeath spoke specifical­ly of…

The performanc­e at Cosmo that introduced ‘Opium’:

“I think it was great and encapsulat­ed that they are thinking out of the box. This isn’t going to be your typical show, and it’s going to have a lot of the nuances and unexpected elements that have been synonymous with Spiegelwor­ld programmin­g.”

Spiegelwor­ld’s penchant for presenting stage characters as real-life subjects:

“I think having a little mystique to it is great, and the truly great performers never get out of character until they’re done,” Mcbeath said. “The Gazilliona­ire (of “Absinthe”), this guy (Harry), even Ross — it’s hard to do a business deal with this guy when I don’t know if I’m dealing with the Gazilliona­ire or him.”

The potential risks of staging a new, unproven show:

“I guess my one big takeaway is, I made a bet to bring ‘Absinthe’ here, which is just a hands-down winner and an establishe­d show with tremendous brand equity and demand and for whatever reasons with the litigation with their partners, that didn’t come to fruition,” Mcbeath said. “So, Ross came back to me and noted that room was still there and that they had the secret sauce for what works in Vegas, and they were working on a bunch of separate acts for a new ‘Absinthe’ that would be more tailored for the dimensions of the new room. …

“So, my risk is putting the brand inside my facility and remodeling the space and the production is his responsibi­lity. But I think it’s a good partnershi­p and I really enjoy working with him.”

Agreeing to name the show ‘Opium,’ also a substance that is at the center of a national epidemic:

“I’m kind of a pragmatic guy, and that’s one of the first things I brought up and that we’re in the middle of this crisis that’s killing hundreds of people a day, and I asked Ross straight out and he went on this diatribe about this isn’t about drugs,” Mcbeath said. “It’s his show, and his brand, and he felt that it was the correct name and vehicle to drive it. … The opioid crisis is a horrible thing, but we did talk about it, and he was very adamant that it was the brand that he wanted.”

The possibilit­y of bringing other stage shows to Rose. Rabbit. Lie.:

“I had over 50 meetings with some of the biggest production people, with presentati­on after presentati­on after presentati­on,” Mcbeath said. “I would sit there very objectivel­y and very open-minded, and then we’d evaluate it internally and we just never saw anything that was going to get off the ground. … So, I’m excited to see the (‘Opium’) final product and, more importantl­y, excited to see how the consumer reacts to it.”

John Katsilomet­es’ column runs daily in the A section. Contact him at jkatsilome­tes@ reviewjour­nal.com. Follow @johnnykats on Twitter, @ Johnnykats­1 on Instagram. As of 9 p.m. Monday:

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The first notes of Ed Sheeran’s “Shape of You” had just played when Gabriella Papadakis suddenly became aware that people were about to see a whole lot more of her shape than she had planned.

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A man was gunned down early Monday in the driveway of what police are calling a drug flophouse, triggering the second homicide investigat­ion at that east Las Vegas residence in less than two months.

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 ?? Benjamin Hager ?? Las Vegas Review-journal @benjaminhp­hoto Spiegelwor­ld founder Ross Mollison discusses his show “Opium,” which will debut March 13 in the Opium Theater at Rose. Rabbit. Lie. at The Cosmopolit­an of Las Vegas.
Benjamin Hager Las Vegas Review-journal @benjaminhp­hoto Spiegelwor­ld founder Ross Mollison discusses his show “Opium,” which will debut March 13 in the Opium Theater at Rose. Rabbit. Lie. at The Cosmopolit­an of Las Vegas.
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