‘Neighbor’ honors a gentle giant of children’s TV
“Won’t You Be My Neighbor?” is a depressingly good documentary about a singularly empathetic television personality. The late Fred Rogers knew what he was up against in a culture, and an economy, built on marketable aggression. Against long odds he prevailed. Now he belongs to another time.
The “bombardment” Rogers once described as commercial children’s programming, designed as he saw it to turn them into slavish consumers, has now been amped up by digital addictions we’ve barely begun to process. One interview subject in director Morgan Neville’s documentary says it plainly: Today, “there isn’t room on TV for a nice person.”
Premiering in 1968, “Mister Rogers’ Neighborhood” offered a reliable security blanket to millions of young viewers. The ordained Presbyterian minister, husband and father seemed so unapologetically sincere, everyone assumed he must be hiding something. Without undue fawning, Neville’s moving portrait does a lovely job of presenting Rogers as two people, the public figure and the private one, sharing the same closet full of zip-up sweaters.
He grew up in a household of means and loved music from an early age. He was ill a lot of the time and quarantined; his isolation fed his imagination, and his relatable feelings of insecurity and loneliness became the secret ingredient of the success that never entirely calmed his feelings of inadequacy or creative panic, as “Neighbor” reveals.
This is carefully handled by Neville in a brisk nonfiction account, catnip for anyone with even passing affection for Rogers and his show. While watching “Neighbor,” I was surprised at the emotional impact of simply hearing Rogers sing his own indelible theme song once again.
The documentary features interviews with Rogers’ widow, Joanne; his sons James and John, one of whom recalls, wryly, a childhood with “a second Christ” for a father; and various co-workers.
He succeeded long enough to turn into an easy punch line, a target for lampoons and satire. (Clips from “Saturday Night Live” and “SCTV” are included in the documentary.) Like “Peanuts” creator Charles Schulz, whose own sensibility was darker, Rogers had a direct line to the misunderstood 20th-century American child. He also responded to the ideas regarding child psychology and early childhood development pushed into the national conversation by Dr. Benjamin Spock and others.
The puppets Rogers created, the nerve he displayed in addressing concepts of prejudice and even political assassination on “Mister Rogers’ Neighborhood” — everything was an extension of Rogers’ particular skill in letting his viewers know that they weren’t alone in their anxieties.
Neville’s previous work, notably “Twenty Feet From Stardom” (2012) and “Best of Enemies” (2015), revealed a filmmaker of easy humanity and a fine sense of humor. He was perfect, therefore, for this assignment.