Las Vegas Review-Journal

‘Crazy Rich’ rules box office for second week in a row

- By Sonaiya Kelley Los Angeles Times

“Crazy” is the right word for it.

The romantic comedy “Crazy Rich Asians” dominated the box office for the second weekend in a row, adding $24.8 million in North American receipts, a drop of only 6 percent from its opening weekend, an almost unpreceden­ted figure.

The Warner Bros. film, playing on more than

3,000 screens, has taken in $76.6 million in 12 days of release, according to figures from measuremen­t firm

Comscore.

No live action wide release has ever maintained such a strong hold in that number of theaters without the help of a holiday weekend.

In second place, Warner Bros. shark attack flick

“The Meg” also continued to perform well in its third weekend, adding $12.8 million in ticket sales for a cumulative $105 million.

The big disappoint­ment was STX Entertainm­ent’s “The Happytime Murders,” which debuted at No. 3 with $9.5 million. It cost about $40 million to make.

The R-rated farce takes place in a version of Los Angeles where humans coexist with puppets (instantly recognizab­le as Jim Henson Company creations). Directed by Brian Henson, son of the late Muppets creator, the film stars Melissa Mccarthy as a human cop who investigat­es the murders of a classic children show’s former cast.

Besides opening below expectatio­ns, the film earned negative reviews from audiences and critics with a C-minus rating on Cinemascor­e and a 22 percent “rotten” rating on review aggregatio­n site Rotten Tomatoes.

Paramount’s “Mission: Impossible — Fallout,” now in its fifth week, landed at No. 4 with an additional $8.1 million and a cumulative $194 million.

Rounding out the top five, STX Entertainm­ent’s “Mile 22” added $6.4 million in its second week for a cumulative $25.5 million.

Another newcomer, Global Road Entertainm­ent’s “A.X.L.,” debuted at No. 10 with

$2.8 million. The film, about a boy who befriends a robot dog on the run, earned mixed reviews with audiences and critics with a B-plus rating on Cinemascor­e and a 22 percent “rotten” rating on Rotten Tomatoes.

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