Las Vegas Review-Journal

Hart, Haddish push ‘Night School’ to top of box office

- By Jake Coyle The Associated Press

For the first time in more than two years, a straightup comedy is No. 1 at the box office. Kevin Hart and Tiffany Haddish’s “Night School” debuted with $27.3 million in ticket sales.

The race for the weekend top spot was, in the end, a laugher. Warner Bros.’ animated release “Smallfoot,” which cost about $80 million to make, trailed in second with $23 million.

Not since Melissa Mccarthy’s “The Boss” topped the box office in

April 2016 has a comedy that didn’t mix other genre elements been No. 1. The romantic comedy “Crazy Rich Asians” was a huge success, leading the box office for four straight weeks, and Tyler Perry’s two horrorcome­dies — “Boo! A Madea Halloween” and its sequel — both opened at the top.

But big-screen comedy has been in a tailspin for years. It took two of comedy’s biggest names teaming up to push Universal’s “Night School” to the year’s best comedy opening.

More than most studios, Universal has stuck by comedy. This year, it also released the prom-night farce “Blockers” ($60.1 million worldwide on a $21 million budget) and the comic musical “Mamma Mia! Here We Go Again” ($390.1 million worldwide on a $75 million budget).

It’s the second straight

No. 1 for Universal, which last week led ticket sales with the fantasy “The House With a Clock in Its Walls.” It earned $12.6 million in its second weekend.

Frights not laughs have become the hotter attraction at the movies, but for one weekend at least, horror and comedy switched roles. Lionsgate’s Halloweent­hemed “Hell Fest” debuted meekly with $5.1 million.

“Over the last few years, comedy has just taken a real roller-coaster ride with audiences either not locking into the premise or not vibing with the stars,” said Paul Dergarabed­ian, senior media analyst or comscore. “The quality, or at least the perceived quality of many of the movies, especially the R-rated comedies, has been so bad that time after time people got disenchant­ed by the genre.”

“Night School,” in which Hart plays a man who returns to his high school to get his GED (Haddish plays his teacher), fared poorly with critics, earning a 30 percent “fresh” rating on Rotten Tomatoes. But the draw of Hart and Haddish was enough to supersede bad reviews.

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